"I pretended I was Cat Stevens. I started out with very Cat Stevensy chords, very abrupt. I was so stuck in the moment of being fearful so as a lesson to myself I said: ‘but we can never know about the days to come’. I didn’t know when the door-bell was going to ring. I liked that. It was all of a sudden a quarter to eight and I had written the whole song."

“I grew up with lots of mystery in my house…I was always feeling on shaky ground when I was growing up. I didn’t know what was what, and that led me to feel very insecure.”

“You know, that's so much a part of life, being able to embrace the broken heart, not just cast it off as having no meaning or trying to get rid of it. I think in the book gives a very good journey through the way I handled things that were desperately frightening for me.”

“I think of that time a lot…It’s part of my blood, my bones, all the liquid in my body. I’ve just taken him in so he’s in my core.”

“Fear came in so much in my life that it did everything but completely stop me. When I was a little girl, I so wanted to be sociable, but I was scared that I wasn't going to be able to speak a sentence because I had such a bad stammer...”

“Music brought me closer to the idea of God…Music gave me the energy to revise, revive myself; renew, rebirth myself. It was a palliative, a relief.”

“…I would say it's not not about Warren Beatty. But I can't understand why there's been such intense interest about this over the years and I don't really want to play into that. To me, it's not an issue. It's a kind of a fun riddle.”