"I think that’s the kind of relationship between recognition and black women. That you have to be an optimist to think something’s going to work out and just keep trying because if you concentrate on the really awful actual facts of life, then you’ll just crawl into bed and pull the covers over your head."

“Visual art is very freeing, because it answers only to the eye.”

“Our search for understanding in matters of race automatically inclines us toward blackness.”

“This was a new definition. I think there's room in our culture for interesting people who are black and for interesting people who are female and interesting people who are black and female. There's hardly any room to be interesting if you're old.”

“It hasn't come together finally. There's no end to this, and it changes over time. My relationship with history as I used to write it, and as I sometimes use it in my work — that was something that took several years, actually, for me to feel comfortable with. And as I continued to wrestle with it and to deal with it visually, it's that I can do whatever I want to the figure; I can do whatever I want with history…”