"At first when I saw 'The Sick Child' her pallid face and the vivid red hair against the pillow – I saw something that vanished when I tried to paint it. I ended up with a picture on the canvas which, although I was pleased with it, bore little relationship to what I had seen.. ..In the space of that year , scratching it out, just letting the paint flow, endlessly I tried to recapture what I had seen for the first time – the pale transparent skin against the linen sheets, the trembling lips, the shaking hands. I repainted the painting numerous times – scratched it out – let it become blurred in the medium – and tried again and again to catch the first impression – the transparent pale skin against the canvas – the trembling mouth – the trembling hands. I had done the chair with the glass too often. It distracted me from doing the head. – When I saw the picture I could only make out the glass and the surroundings. – Should I remove it completely? – No, it had the effect of giving depth and emphasis to the head. – I scared off half the background and left everything in masses – one could now see past and across the head and the glass.. .I had achieved much of that first impression, the trembling mouth – the transparent skin – the tired eyes – but the picture was not finished in its colour – it was pale grey – the picture was then heavy as lead."

“When seen as a whole, art derives from a person's desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.”

“When I write these notes, it is not to describe my own life. I am writing a study of the soul as I observe myself closely and use myself as an anatomical testing-ground. It would therefore be wrong to look on these notes as confessions. I have chosen – in accordance with Søren Kierkegaard – to split the work into two parts; the painter and his distraught friend the poet. Just as Leonarda da Vinci studied the recesses of the body and dissected human cadavers, I try from self-scrutiny to dissect what is the universal in the soul”

“I am at work on a girl. It is quite simple a girl getting up on the edge of her bed and pulling on her stockings. The bed is whitish, and in addition there are white sheets, a white nightdress, a bedside table with a white cover, white curtains and a blue wall.”

“The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing and brutal as only Norwegians can be, vast shadows of impotence misery and shabbiness – spirits training for fulfillment, striving in vain to be great, complete, unique. And at the center of all the faces there would be Jaeger, whose logic was as sharp as a scythe and as cold as an icy blast..”

“From my rotting body, flowers shall grow and I am in them and that is eternity.”

“And I live with the dead – my mother, my sister , my grandfather, my father .. .Every day is the same – my friends have stopped coming – their laughter disturbs me, tortures me.. ..my daily walk round the old castle becomes shorter and shorter, it tires me more and more to take walks. The fire in the fireplace is my only friend – the time I spend sitting in front of the fireplace gets longer and longer.. ..at its worst I lean my head against the fireplace overwhelmed by the sudden urge – Kill yourself and then it’s all over. Why live? I light the candle – my huge shadow springs across half the wall, clear up to the ceiling and in the mirror over the fireplace I see the face of my own ghost.”