"People generally begin to understand my work after they’ve had some experience with the subtle visionary inner-worlds. These altered states can occur in many ways, from meditation to psychedelics to near-death experiences. A fellow in Japan came to my exhibit and showed me a five-inch elliptical scar over his heart where he had been struck nearly dead by lightning. He claimed that he had entered the "universal mind lattice," one of the "sacred mirrors" I’ve painted, during his near-death experience. What these various experiences or altered states have in common is the person who experiences them is profoundly transformed. They now know there are dimensions beyond the physical that are deeply mysterious and equally infinite to the outer worlds."

“I worked as a medical illustrator for about ten years. It was not my career ambition; it was a way to finance my addiction to art and support my family. Medical illustration gave me the opportunity to investigate and portray the bodily systems in dramatic ways. Prior to my work as a medical illustrator, I prepared bodies at a medical-school morgue, which provided important training for understanding the fleeting nature of life. It also provided unforgettable studies into the iridescent, fibrous architecture that forms our physical body.”

“Alex Grey's Body of Light, Raw Vision Issue 26”

“Chapel of Sacred Mirrors”

“The Sacred Mirrors speak to our highest aspirations as a species: universal compassion, respect for all life, a deep appreciation of all cultures and wisdom traditions, awakened consciousness and a full flowering of our human potential. In a "chapel of beauty," they could contribute to the radical raising of awareness we so desperately need if we are to successfully navigate our way to a saner, more loving and life-affirming civilization.”

“I've noticed various stages of receptivity to my art. The work points to a mystic core of truth at the heart of all wisdom traditions and affirms an integral universal spirituality. If you have ever had a mystical experience you will understand my work immediately, if not it may take awhile. The human species is evolving and waking up to our self-destructive bender called materialism and the 20th century.  Human evolution will allow access to dormant visionary physiology that allows us to see clearly, to more easily see when people are lying, and to recognize the common heart of love behind all our dualistic thoughts.”

“I was bom on November 29, 1953, which makes me a Sagittarius. I'm no astrologer, but I am interested in its symbols. The Sagittarian is a centaur archer aiming for the stars. You could say this is the sign of a philosophical idealist, someone who aims high. The horse/human hybrid aiming higher unites the animal body, the human mind and the flaming-arrow spirit. Sagittarius is also a fire sign; fire shows up strongly as a motif in my work.”