"…I believe that the more specific you write, the more universal it becomes. I see plays that aren’t Latino all the time. Why shouldn’t my work speak to a broad audience? What if theatre becomes a little more balanced? I believe that as the Latino middle class grows, they’ll buy tickets if there’s theatre for them."

“…There’s momentum about making our presence known. We’re here. We’re Latino playwrights and theatre professionals. Eventually there’s going to be a tipping point and more of our stories will become part of the American canon. I write what I know and for now I focus on Latinos because going through school, I longed to read about my experience…”

“…For me, interviewing was like being a detective and listening for cues into a story. Ana Deavere Smith says that as an actor she listens for emotions. As a writer I listen for both emotions and details. People sometimes get emotional and sometimes they get descriptive when recalling a memory. Sometimes it seems people are visualizing what they see. Other times memories involve the senses, like the smell of burnt beans, or nana’s eucalyptus leaves…”