"A royal connoisseur Jayachamarajendra Wodeyar’s tryst with music began with western music, of which he was deeply knowledgeable on many levels. The Maharaja was a gifted pianist. He had nurtured hopes of becoming a concert pianist; a dream that necessarily ended with his ascension to the throne. He was a Licentiate of the Guildhall School of Music, London;an honorary Fellow of Trinity College of Music, London; and the first president of the Philharmonia Concert Society, London"

“May those in distress become happy, May the sins of animate and inanimate beings disappear, may the evils of the universe be destroyed.”

“The advent of Atombomb into a world of varying moral standards and uncertain international friendships has made everyone aware for the first time of the awful fact that, if the world ever lost its spiritual and moral equilibrium, it was now possible completely to eliminate life itself.”

“awarded the Sangeet Natak Akademi's fellowship for the year 1966/67 on October 13, 1966. Such a gentle and erudite soul did not have a peaceful personal life. Ill health plagued him and so did sordid palace intrigues over his vast properties.”

“The other special moments that I can recall is when I used to ride piggyback on him as a child.”

“He was not merely the organizer and architect of our freedom, he ennobled our very being. As the apostle not only of truth and ahimsa but also of purity and public conduct he raised us, and indeed the whole of mankind, to a higher level of social and political life.”

“It has been accepted now that the joy of art is the heritage of all and aesthetic activity and appreciation are indispensable aids in the enrichment and refinement of the human soul in general. Art refines our inner as well as our physical life and provides that satisfaction and joy which acquisitions and activities on a merely material plane can never give. As Nachiketa said, na vittena tarpaniyo manushyo. In other words, man does not live by bread alone. Music and dance, among the arts, have always had a high place in Indian aesthetics. They are conceived as having their origin in the Divine, which is itself described the Upanishads as the quintessence of aesthetic pleasure raso vai sah. Our arts embody the deepest experience and wisdom of mankind, and they have a spiritual import and purpose.”