"The first encounter with Otto Mueller's paintings was in Berlin, at the showing of the 'Rejects of the Berlin Secession'. which took place at the Galerie Macht in the spring of 1910. And we met him personally the very same day in his studio on Mommsenstrasse. This meeting was significant for all of us and occurred at a fruitful moment; and, as a matter of course, he belonged to Die Brücke community from then on."

“How glad I was to paint that for the soldiers it is very beautiful, how much respect and even love for art there is in human beings, in spite of everything, and who would have thought that my style, which seemed so modern and incomprehensible to critics and public at rotten exhibitions in the cities, would now be able to speak and convey something to men to whom I make a gift of it.”

“..differences arose that hindered the publication of the 'Chronik' (written by Kirchner and brought us to the agreement of dissolving Die Brücke group.”

“Brücke will remain in the inner sense; only the outer organizational thing should be dissolved.”

“He himself omitted certain things in his pictures that his contemporaries deemed to be of importance, in order to capture the essence.. ..with the greatest possible simplicity.”

“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log , which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.”

“What we had to remove ourselves from was clear; where we were heading was certainly less clear. .”