"Movie adaptation of "J'accuse!" in The Life of Emile Zola"

“We are told of the honor of the army; we are supposed to love and respect it. Ah, yes, of course, an army that would rise to the first threat, that would defend French soil, that army is the nation itself, and for that army we have nothing but devotion and respect. But this is not about that army, whose dignity we are seeking, in our cry for justice. What is at stake is the sword, the master that will one day, perhaps, be forced upon us. Bow and scrape before that sword, that god? No!”

“It is said that within the council chamber the judges were naturally leaning toward acquittal. It becomes clear why, at that point, as justification for the verdict, it became vitally important to turn up some damning evidence, a secret document that, like God, could not be shown, but which explained everything, and was invisible, unknowable, and incontrovertible. I deny the existence of that document.... a document concerning national defense that could not be produced without sparking an immediate declaration of war tomorrow? No! No! It is a lie, all the more odious and cynical in that its perpetrators are getting off free without even admitting it. They stirred up all of France, they hid behind the understandable commotion they had set off, they sealed their lips while troubling our hearts and perverting our spirit. I know of no greater crime against the state.”

“The Esterhazy affair, thus, Mr. President, comes down to this: a guilty man is being passed off as innocent. For almost two months we have been following this nasty business hour by hour. I am being brief, for this is but the abridged version of a story whose sordid pages will some day be written out in full.”

“Meanwhile, in Paris, truth was marching on, inevitably, and we know how the long-awaited storm broke. Mr. Mathieu Dreyfus denounced Major Esterhazy as the real author of the bordereau just as Mr. Scheurer-Kestne was handing over to the Minister of Justice a request for the revision of the trial. This is where Major Esterhazy comes in. Witnesses say that he was at first in a panic, on the verge of suicide or running away. Then all of a sudden, emboldened, he amazed Paris by the violence of his attitude.”

“Everything is only a dream.”

“Ah, what a cesspool of folly and foolishness, what preposterous fantasies, what corrupt police tactics, what inquisitorial, tyrannical practices! What petty whims of a few higher-ups trampling the nation under their boots, ramming back down their throats the people's cries for truth and justice, with the travesty of state security as a pretext.”