"When I left South Texas, I realized that I became the other. I was the token of the room. Most of my friends were white so when I went to a party or a wedding or a work function, I would scan the room and only see my face in the people who were serving the drinks or passing around the appetizers. I realized I was the hanging fruit in the room, the living and breathing statue in the room, the object in the middle of the photograph, surrounded by white eyes."

“I have a strange love and affinity for South Texas and Texas in general. I carry a bit of dissonance for loving a place so many people outside of Texas hate. The reputation Texas has in places that I have lived is a rough one. The politics have skewed so far to the right and I’m usually in an environment that is mostly liberal so I find myself having to defend a place I no longer live in. But the Texas I know, the people I know, the experiences I’ve lived don’t always sync up with the image of Texas at the moment.”

“A play is like a free-flowing poem in some ways. The play, as you write, will tell you what the structure will be. But, sometimes you forget to ask those questions as you write and you end up spending a lot of time trying to find the essence of the play…”

“It’s what I know best. It’s roots. It’s Dazed And Confused and Friday Night Lights. It’s border life and El Pato and Whataburger and getting drunk in a back of a pickup. It’s dancing every weekend to country music, or Tejano music, or club music. It’s the beach. It’s, for better or worse, home.”