"Thou art nothing. And all thy desires and memories and loves and dreams, nothing. The little dead earth-louse were of greater avail than thou, were it not nothing as thou art nothing. For all is nothing: earth and sky and sea and they that dwell therein. Nor shall this illusion comfort thee, if it might, that when thou art abolished these things shall endure for a season, stars and months return, and men grow old and die, and new men and women live and love and die and be forgotten. For what is it to thee, that shalt be as a blown-out flame? and all things in earth and heaven, and things past and things for to come, and life and death, and the mere elements of space and time, of being and not being, all shall be nothing unto thee; because thou shalt be nothing, for ever."

“The Worm of Ouroboros – Complete text at Sacred Texts”

“And now in a soft voice she began supplication to the Gods which are from everlasting, calling upon them in turn by their holy names, upon gray-eyed Pallas, and Apollo, and Artemis the fleet Huntress, upon Aphrodite, and Here, Queen of Heaven, and Ares, and Hermes, and the dark-tressed Earthshaker. Nor was she afraid to address her holy prayers to him who from his veiled porch beside Acheron and Lethe Lake binds to his will the devils of the under-gloom, nor to the great Father of All in Whose sight time from the beginning until to-day is but the dipping of a wand into the boundless ocean of eternity.”

“And the Lord Juss cried aloud in his agony, "Fling me to Tartarus, deliver me to the black infernal Furies, let them blind me, seethe me in the burning lake. For so should there yet be hope. But in this horror of Nothing is neither hope nor life nor death nor sleep nor waking, for ever. For ever.”

“Gro was stretched on the brink of the cliff, face downward, propped on his two elbows, studying those dark waters. "Surely," he said, "the great mountains of the world are a present remedy if men did but know it against our modern discontent and ambitions. In the hills is wisdom's fount. They are deep in time. They know the ways of the sun and the wind, the lightning's fiery feet, the frost that shattereth, the rain that shroudeth, the snow that putteth about their nakedness a softer coverlet than fine lawn: which if their large philosophy question not if it be a bridal sheet or a shroud, hath not this unpolicied calm his justification ever in the returning year, and is it not an instance to laugh our carefulness out of fashion? of us, little children of the dust, children of a day, who with so many burdens do burden us with taking thought and with fears and desires and devious schemings of the mind, so that we wax old before our time and fall weary ere the brief day be spent and one reaping-hook gather us home at last for all our pains.”

“Dismal and fearsome to view was this strong place of Carcë, most like to the embodied soul of dreadful night brooding on the waters of that sluggish river: by day a shadow in broad sunshine, the likeness of pitiless violence sitting in the place of power, darkening the desolation of the mournful fen; by night, a blackness more black than night herself.”

“Surely no children of men were these, footing it on that secret lawn beside that fountain's brink, nor no creatures of mortal kind. Such it may be were the goats and kids and soft-eyed does that on their hind-legs merrily danced among them; but never such those others of manly shape and with pointed hairy ears, shaggy legs, and cloven hooves, nor those maidens white of limb beneath the tread of whose feet the blue gentian and the little golden cinquefoil bent not their blossoms, so airy-light was their dancing. To make them music, little goat-footed children with long pointed ears sat on a hummock of turf-clad rock piping on pan-pipes, their bodies burnt to the hue of red earth by the wind and the sun. But, whether because their music was too fine for mortal ears, or for some other reason, Gro might hear no sound of that piping. The heavy silence of the waste white noon was lord of the scene, while the mountain nymphs and the simple genii of sedge and stream and crag and moorland solitude threaded the mazes of the dance.”