"As Arp and I are sitting in the large living room of my house on Central Park in November 1958, we try again and again to understand the significance of Dada for ourselves and for others. Many elements surfaced in me and in the 'Fantastic Prayers' at the same time; resistance against the 'civilization' we live in, fury about a purely factual world which leaves out personality and thus creative power, the means of irony and underlying religiousness. Ball turned religious during the times of dadaism, Arp is a religious person today, and I have always been one, without wanting to realize it, perhaps without knowing it."

“The dissection of words into sounds is contrary to the purpose of language and applies musical principles to an independent realm whose symbolism is aimed at a logical comprehension of one’s environment.. ..the value of language depends on comprehensibility rather than musicality”

“There is a difference between sitting quietly in Switzerland and bedding down on a vulcano, as we did in Berlin.”

“Meta-Dadaist... fulfilled certain ideas of ours, notably the idea of motion.”

“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions.. .I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”

“texts of 13 works of Huelsenbeck in Dada era publications, from the Dada Archive - in German language”