"Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there . I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me.. .Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing."

“The new school was inaugurated yesterday. It was a celebration with songs, dancing and speeches, followed by drinking such as I have not seen or experienced in decades. Everyone sat in the 'Post', the village council, the president of the council, the farmers, every one of one accord and friendly. They made a point of including me and so there I was, sitting once again amongst these people who had received me with such kindness and friendliness on the Alp twenty years ago. The relief has found favour and was mentioned often in the speeches.”

“..art is made by man. His own figure is the center of all art.. .Therefore one must begin with the man himself.”

“All art needs this visible world and will always need it. Quite simply because, being accessible to all, it is the key to all other worlds. ** Quote from Zeichnungen von E. L. Kirchner, E. L. Kirchner, Genius 2, Book 2, 1921, 216-234, reprinted by National Gallery, Washington D.C. 2003, p. 226”

“I was born near a station. The first things that I saw in my life were the moving locomotives and trains, and I drew them as a three-year-old. Perhaps it is because of this that observations of movement are my impetus for my inspiration to create. Out of this I receive a creative experience of life, which is the source of creativity.”

“..momentarily, we are once again at Moritzburg. There is nothing more delightful than nudes in open air.”

“Bloated, one staggers off to work, where all work is in vain and the onslaught of mediocrity flattens everything. Like the cocottes that I painted, that is how one is now. Wiped out, next time gone.”