"When I went to school there was Pop Art. The Americans dismissed us from our responsibilities. They mailed us Care packages and Democracy. The search for our own identity was postponed. After the 'time of misfortune' as it has been called euphemistically, one thought in 1946 to begin anew. Even now we talk about the 'Point Zero'. But that is not possible; this is nonsense. The past is tabulated because to confront it would necessitate denial and disgust.."

“It is my profession, yes but a calling.. that a little bit pathetic, a little bit bombastic. I think it was much more natural.. .I Thought – when I was a child – the only method to be not in the world but outside of the world is to be an artist. I feel me outside, yes..”

“What interests me is the transformation, not the monument. I don't construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is the moment when things can start again.”

“I perceive existentialism as a necessity of decision. This is the essential aspect of existentialism and simultaneously the most subversive factor..”

“The Germans always had difficulties with their identity. Either it was too much and too loud, or it was hidden and too subservient. The French always had a healthy self-confidence. When they spoke of a 'grande nation' it was not dangerous. De Gaulle could say on Martinique: 'Behind me is the ocean. In front of me is France'.”

“There is a reciprocal action between the work of art and the viewer. The river changes the work of art and criticism can also change the artist.. .There are so many ideas afloat; any of them could have triggered the work of art. It is impossible to determine exactly if the idea has been transmitted by the critic, or if the work itself has determined its outcome..”

“Tim Marlow joins Anselm Kiefer to discuss his work on the occasion of the artist’s exhibition at White Cube - June 2005”