"“Well, it sort of bothers me that if a man is doing it, then it's fine. Like, if a woman had Bob Dylan's voice, how far would she have gotten? Or Leonard Cohen? And men can get away with saying more things that are—I don't know, it's kind of like, everyone could sit around and pat each other on the back. And that's not very interesting."

““If people are listening, you can feel this intense concentration, and it builds a level of trust…I can be vulnerable in a way that I otherwise wouldn’t be able to be if I was just talking. There’s something about music and electricity and the free-flowing, less-contained aspect – it’s like being in the ocean. What’s the inside and what’s outside?”

““I don't wanna think that I'm influential or an icon or blah blah blah blah...Ultimately, I feel most confident when I'm just working. Thinking about ideas. That's how I'm most comfortable. Or performing in a group situation.”

“The image a lot of people have of me as detached, impassive, or remote is a persona that comes from years of being teased for every feeling I ever expressed.”

““When I was growing up in the seventies, there were more open spaces. There weren't McMansions really. L.A. always had an interesting array of architecture in the houses. Like one would be a ranch house, another could be a Tudor house. It is fitting that there are all these different styles that almost were predetermined by L.A. being a place where different people moved.”

““I never think of myself as famous anyway, like, if anything, it’s barely famous.”

““It was the tip of the iceberg…There’s some unseen wall of faceless men that I have to climb over…as if on a mission.”