"England rose before our eyes; the island girdled by the stormy waters in which all the continents of the globe are laved. In that sea-girt isle, the ocean holds sway. The cold and clear gaze of the watery element is reflected in the eyes of the inhabitants. Every one of the dwellers in that land is one of the sea-folk, is himself an island. The storms and dangers of the sea have left their mark, and live on to-day in these English, whose ancestors for centuries were vikings and sea-raiders. Now peace broods over the isle. But the dwellers therein, used to storms, crave for the lie of the sea with its daily perils. When it is denied them, they create its stormy likeness for themselves in blood-sports. They build wooden lists for beast-baiting. The voluptuous horror of the spectators is stimulated in bestial fashion by watching cock-fights or by looking on while bears are torn by dogs. Soon here is a demand for a loftier tension of the senses, such as can be derived from the spectacle of heroic human conflicts. Thus there grows out of the medieval religious mysteries, the great drama of human effort, in which the adventures and the voyages of earlier days are depicted - voyages no longer sailed on a real sea, but on the inner sea of man's feelings. A new infinity, another ocean with spring tides of passion and an uprush of the spirit; a determination to steer a course through the waters on which heretofore they were driven at the mercy of winds and waves - such are the new longings of the late-born and vigorous Anglo-Saxon race. Such is the origin of the Elizabethan drama."

“The heart is able to bury deep and well what is urgently desires to forget.”

“Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.”

“The soul is made of stuff so mysteriously elastic that a single event can make it big enough to contain the infinite.”

“Everywhere soldiering entails the same busily empty monotony; hour after hour is mapped out in accordance with inflexible, antediluvian regulations, and even one's leisure does not seem to offer much in the way of variety. In the officers' mess the same faces, the same conversation; at the cafe the same games of cards and billiards.”

“Gratitude is a rare frame of mind; and those who are grateful can seldom find a way to express what they feel. They are overwhelmed by silence; are shamefaced; and, sometimes, actually try to hide their feelings.”

“When one does another person an injustice, in some mysterious way it does one good to discover that the injured party has also behaved badly or unfairly in some little matter or other; it is always a relief to the conscience if one can apportion some measure of guilt to the person one has betrayed.”