"I have been fortunate enough to lead.. ..an uneventful life. Only on very rare occasions have I ever left Bologna, my native city, and the surrounding province of Emilia. Only twice, for instance, have I been abroad.. .Besides, I speak only my native language, as you see, and read only Italian periodicals.. .When I was in my early twenties, my highest ambition was to go abroad study art in Paris.. ..the material difficulties involved were too great, and I was obliged to remain in Italy. Later I had too many responsibilities, with my teaching and my family and never managed to go abroad."

“When most Italian artists of my own generation were afraid to be too 'modern,' too 'international' in their style, not 'national' or 'imperial' enough, I was still left in peace, perhaps because I demanded so little recognition. My privacy was thus my protection and, in the eyes of the Grand Inquisitors of Italian art, I remained a provincial professor of etching, at the Fine Art Academy in Bologna.”

“Among the ancient painters, the Tuscan's are the ones that interest me more: above all Giotto and Massacio . Of the modern painters I think that Corot, Courbet, Fattori, and Cezanne are the most legitimate heirs to the glorious Italian tradition.”

“A white bottle is all that remain.”

“I am now working on a still life with a bottle and other objects spread out on a plane and it seems to be turning out well.”

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the furniture behind.”

“..my own paintings of that period remain pure still-life compositions and never suggest any metaphysical, surrealist, psychological, or literary considerations at all . My milliners' dummies, for instance, are objects like others and have not been selected to suggest symbolic representations of human beings of legendary or mythological characters. The only titles that I chose for these paintings were conventional, like 'Still Life, Flowers or Landscape', without any implications of strangeness of an unreal world .”