"The honest answer is there are things inside me I want to make – Hamilton is one of those things, Heights was another. And since the success of Hamilton, my life has been about finding the balance between the things I always wanted to make and the opportunities that are so incredible I’d be angry if they opened and I wasn’t in them. So Mary Poppins and Little Mermaid definitely fall into that category. I think there is always a part of me that is checking in with childhood Lin and asking: ‘Would little Lin be freaking out about this?’ If the answer is yes, then I say yes."

“There are a few people who only like hip-hop music, and a few who only like theatre music, and the rest of us just like good shit. It doesn’t matter what form it comes in. I think we’re all a lot more eclectic than we give ourselves credit for…”

“I think that if we’ve done our job well and we articulate this individual’s life well, the themes inherent in that translate…It’s about legacy, about how much do we do with the time we’re given? And then there are themes that wrestle with the American character, but only in that Hamilton’s life is a rough-draft version of the arguments we still have as a country.”

“…I think if you want to make a recipe for making a writer, have them feel a little out of place everywhere, have them be an observer kind of all the time, and that's a great way to make a writer…”