Anaïs Nin on Time
Browse 8 quotations attributed to Anaïs Nin, catalogued under time, with dates where available.
This page displays 8 quotations attributed to Anaïs Nin and filed under "time" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.
Attributed to Anaïs Nin, entry #224420: "For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds..."
Attributed to Anaïs Nin, entry #132281: "The times in his studio when he washed his hands and they smoked, for his hands were so warm and the water so cold."
8 Quotes by Anaïs Nin on Time
"For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds..."
"The times in his studio when he washed his hands and they smoked, for his hands were so warm and the water so cold."
"Ecstasy is the moment of exaltation from wholeness!"
"When she did finally fall asleep it was the restless sleep of the night watchman continuously aware of danger and of the treacheries of time seeking to cheat her by permitting clocks to strike the passing hours when she was not awake to grasp their contents."
"Neurosis was caused by our attempt to separate physical and metaphysical levels, to set them up in opposition to each other, thus engaging in an internecine war. If it is true that we do live on several levels simultaneously- drama and action, past and present, personal and collective- we are given ways to unify them: one by religion, the other by art. Separating such levels is only necessary when they conflict, and separation is a result of conflict. Seeing how these levels can work together in harmony is the task of our contemporary writers."
"We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another, unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made of layers, cells, constellations."
"I need a place where I can shout and weep. I have to be a Spanish savage at some time of the day. I record here the hysteria life causes in me. The overflow of an undisciplined extravagance. To hell with taste and art, with all contractions and polishings. Here I shout, I dance, I weep, I gnash my teeth, I go mad — all by myself, in bad English, in chaos. It will keep me sane for the world and for art ."
"Man can never know the kind of loneliness a woman knows. Man lies in a woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. The woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which he has bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love is a taking of man within her, and act of birth and rebirth, of child bearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to BE. But for a woman, the climax is not in the birth, but in the moment when man rests inside of her."