Baruch Spinoza on Art

"Spinoza is the Christ of philosophers, and the greatest philosophers are hardly more than apostles who distance themselves from or draw near to this mystery."

"Article in The Catholic Encyclopedia"

"Article in The Jewish Encyclopedia"

"...Spinoza was not only atheist, but he taught atheism; it was not he assuredly who took part in the judicial assassination of Barneveldt; it was not he who tore the brothers De Wit in pieces, and who ate them grilled."

"Some have spoken of a liberal Spinoza, and others, of a democratic Spinoza. By the same standard one could also speak of an artistocratic Spinoza or a monarchical Spinoza — and it has been done. Perhaps also an anarchic Spinoza? No one has ever said that."

"All the better; they do not force me to do anything that I would not have done of my own accord if I did not dread scandal. But since they want it that way, I enter gladly on the path that is opened to me, with the consolation that my departure will be more innocent than was the exodus of the early Hebrews from Egypt."

"...But when it comes to the subject of the arts, Spinoza is oddly reticent. His failure to consider the aesthetic response—surely a profound facet of human experience—is all the stranger when one compares him, again, to Plato who directs as much conflicted pondering to the arts, particularly to poetry, as to erotic love."

"Surely, Spinoza's parallelism of attributes expressing differently but equivalently one and the same substance was a feat of genius and far superior to all other treatments of the problem at the time. Without interposing a synchronizing deity, as did others, it overcame Descartes' dualistic rift by a monistic reduction, yet retained the full severity of the disjunctions which that dualism had been designed to ensure."

"As interpolation instead of interpretation was not then so common or so honourable as at present, I believed that a part of my work was well done. How was I to expect that, because I ascribed piety to Spinoza, I would myself be taken for a Spinozist ? Yet I had never defended his system, and anything philosophic that was in my book was manifestly inconsistent with the characteristics of his views and had quite a different basis than the unity of substance."

"It may be observed, however, that Spinoza was not the first prominent monist and pantheist in modern Europe. A generation before him Bruno conveyed a similar message to humanity. Yet Bruno is merely a beautiful episode in the history of the human mind, while Spinoza is one of its most potent forces. Bruno was a rhapsodist and a poet, who was overwhelmed with artistic emotions; Spinoza, however, was spiritus purus and in his method the prototype of the philosopher."

"The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers."

"My intention is to give a sense of the grand sweep of literary artists—that is, novelists, poets, and playwrights—reacting through their art to Spinoza's ideas. Given the irreconcilability of the approaches and attitudes, it is all but impossible to make a sustained argument concerning Spinoza's literary appeal. If there is an overarching explanation for why this particular philosopher has been so artistically generative, perhaps it lies in what one might call Spinoza's rationalist purity. Nobody has ever made greater claims for the life of pure reason. For some temperaments this is inspiring, for others off-putting. Other philosophers—one thinks particularly of Plato—have influenced important literary artists, but Spinoza seems unique among philosophers in the amount of literary fascination with the man himself."

"There may be no philosopher in history who has received greater attention in artistic, literary and popular culture than Bento de Spinoza . His life, ideas and influence have been the subject of numerous novels, plays, poems, paintings, sculptures, even musical pieces and opera. His name and his visage have been used in the marketing of various items in the worlds of entertainment, leisure and consumption, from cafés to rock bands to bagels. A relatively simple explanation for Spinoza's unusually high profile outside the walls of academia is at hand. Spinoza was the most radical and iconoclastic thinker of his time. His ideas on religion, politics, ethics, human psychology and metaphysics, presented in difficult and sometimes mystifying treatises, lay the groundwork for much of what we now regard as “modern.” Perhaps most enticing of all, he was excommunicated from the Amsterdam Portuguese-Jewish community as a young man for reasons that remain obscure . Everyone loves a rebel—especially one whose values they likely share and whom, they feel, was unjustly punished by those in power."

"What is remarkable is how popular this heretic remains nearly three and a half centuries after his death, and not just among scholars. Spinoza's contemporaries, René Descartes and Gottfried Leibniz, made enormously important and influential contributions to the rise of modern philosophy and science, but you won’t find many committed Cartesians or Leibnizians around today. The Spinozists, however, walk among us. They are non-academic devotees who form Spinoza societies and study groups, who gather to read him in public libraries and in synagogues and Jewish community centres. Hundreds of people, of various political and religious persuasions, will turn out for a day of lectures on Spinoza, whether or not they have ever read him. There have been novels, poems, sculptures, paintings, even plays and operas devoted to Spinoza."

"Indeed, I scarcely comprehend how one can be a poet without revering and loving Spinoza and becoming completely his. Your own fantasy is rich enough for the invention of the particular: nothing is better suited to entice your fantasy, to stimulate and nourish it, than the poetic creations of other artists. But in Spinoza you find the beginning and the end of all fantasy, the universal ground on which your particularity rests — and you should welcome precisely this separation of that which is originary and eternal in fantasy from everything particular and specific."