Chris Cornell on Mind

"What I hear in my brain dictates the beginning of any attempt at a new song."

"Hip-hop kind of absorbed rock, in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn’t their parents’. I think hip-hop became the musical style that embraces that mentality."

"Don't drink. And that's serious. For me, that's one, because I never wrote, I was never creative while drinking, and there were these periods of not drinking and just kind of white-knuckling it and writing and recording, and then drinking a lot and coming into the studio hung over and being in the studio drunk and never being able to do anything to the level or to the degree that I thought that I should be. I'm proud of everything that I did, but I think it was a lot more difficult than it needed to be."

"I've always said that my albums are the diaries to my life. I'm not one of those guys who looks out the window and sees something, then goes and runs home and writes about it. It's more constant observation. I'm not a big talker and I'm sort of constantly looking and thinking, and then I remember odd things. I might not remember the list of things you would, I might not remember the things my wife would, for example, but I'll see things that show up later. As I'm sitting and writing a song I find that it sort of becomes about that."

"I remember a girl once came up to me after one of our shows, and she had a painting of Andy Wood on the back of her leather coat. She said, "I respect you so much for recording a tribute to Andy Wood, because he was so perfect," and then she walked away. Why would she walk away thinking that? Out of whatever songs he wrote and how he died, how did you get that? His lyrics basically said, line for line, "I'm fucked up." He could have written a song called "I'm Fucked Up", and it would have basically summed up a lot of the lyrics he wrote. And this girl wanders away thinking the guy's perfect."

"Every time I know we have to go out on tour, there’s about three or four weeks where I’m terrified—where I start thinking: That’s not me. I’m not Freddie Mercury. Then I go out onstage and it’s like diving into the cold Puget Sound after spending five weeks in Hawaii—there’s a shock to the system, but the fear goes away. You get used to it, which is pretty cool, because if I stopped performing, I could just disappear and end up being some weird chattering man that walks the streets in rags, staring only at the pavement. At first you rationalize that going to a club where people recognize you is a bad idea; then going to a neighborhood bar becomes a bad idea, too. Going to the grocery store becomes a bad idea. Answering the phone becomes a bad idea. Then every time the dog barks, you think the National Guard is on your roof ready to drill holes in the shingles and shoot at you. So I have to deal with the outside world on sort of a maintenance level—go out to a bar every so often and just be around people."

"It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool."

"When you write your own lyrics, you tend to be over-analytical. One second everything you do is brilliant, and the next, everything is garbage, and I want to be able to express personal things without being made to feel stupid. One of the first times I remember writing something personal was on tour. I was feeling really freaky and down, and I looked in the mirror and I was wearing a red T-shirt and some baggy tennis shorts. I remember thinking that as bummed as I felt, I looked like some beach kid. And then I came up with that line—’I’m looking California / And feeling Minnesota,’ from the song ‘Outshined’—and as soon as I wrote it down, I thought it was the dumbest thing. But after the record came out and we went on tour, everybody would be screaming along with that particular line when it came up in the song. The was a shock. How could anyone know that that was one of the most personally specific things I had ever written? It was just a tiny line. But somehow, maybe because it was personal, it just pushed that button."

"It goes back to 1989-1990, when we were at our most aggressive period in Soundgarden, and I just wanted to hear something that wasn’t guitar feedback. I started listening to anything that I could find that was super stripped-down. I bought the Nick Drake boxed set, and my favorite album was Pink Moon, where it’s really just him and a guitar. And then around ’91, I wrote a song called “Seasons” that was on the Singles soundtrack. It just had acoustic guitar and it got radio airplay, and I remember thinking at that point, “One day I’ll make an acoustic album.” It just didn’t happen until now."