Gloria Estefan on Music

"Of course in Miami, not denouncing Fidel Castro at every turn is almost as bad as saying Gloria Estefan can't sing."

"grew up in this city , and my music is a blend of two cultures. In the beginning it was heavily Cuban. At this point it's all over . . ."

"For the rest of my life, the one song that people will remember -- regardless -- is "Conga" . . . I never get tired of singing it. It never gets old for me."

"Getting this caliber of musicians together is almost impossible to do again."

"I'm never going to stop making music. I couldn't."

"I fought my company tooth and nail when they stopped putting out singles."

"I love Gloria Estefan, though -- she is cool. It's always just been about the music with her and they've been really good fun pop songs and really great ballads. And she's still going strong. She's quite classy and true to her Latin roots."

"'Live for Loving You' is a kind of song that really can live in many different genres. And, of course, when you do your live performances the first time that you perform a song you want to stay true to the record: because tha's what people want to hear, they want to hear the hit. But then after you have done it fifty thousand times and through many, many different tours, you start experimenting and doing stuff to surprise people. So, the cut that we are doing here for the "iTunes Orginal" is something that we love to do -- because we just took it and really broke it down to a Samba. You know, the Brazilians have an amazing edge -- percussively, I think -- they have amazing rhythms. And this song really fit that rhythm very nicely. So, we wanted to do it acoustically and really cool -- and like we've done many times on tour. Just break it down to just acoustic, no synths and things of that nature: just make it organic. And I love that song for that reason: because you could perform it with just a couple of bongos and some vocals if you had to. And it would still work."

"What happened is the music listener has become much more of a connoisseur and a king of his own destiny. You can no longer shove an album down their throats and say, 'Here's 15 songs, four of them are good, you know. Spend 20 dollars on this CD.' It's not going to happen. That's what has taken the music industry down."

"written all original music , as was "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next summer. And a single probably early on in the summer. The album probably will be around September ."

"Music is a healing force and we have the privilege of sharing it. It's an awesome responsibility. It has to be something that says something from you. It's a beautiful way to live your life. Whether you end up doing it for a business or just end up singing for your kids, teaching other people to do music, or doing therapy, go forward with a lot of belief, because it's such an amazing way to live your life."

"If I had to take eveything into consideration, would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possiblility of "Mi Tierra" happening. Not only did it talk about a specific rhythm of my homeland , it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land."

"Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then afffect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the ! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a plished take singing first, so his playing could recreate my emotion. I got goose bumps . Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. Adn also: because we're here, we latched onto any part of our culture. Yes and no . Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone."