Nature

Leonardo da Vinci on Nature

Browse 22 quotations attributed to Leonardo da Vinci, catalogued under nature, with dates where available.

Mathematics
Republic of Florence
22 quotes

This page displays 22 quotations attributed to Leonardo da Vinci and filed under "nature" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.

Attributed to Leonardo da Vinci, entry #57857: "May it please our great Author that I may demonstrate the nature of man and his customs, in the way I describe his figure."

Attributed to Leonardo da Vinci, entry #229362: "The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark."

22 Quotes by Leonardo da Vinci on Nature

"May it please our great Author that I may demonstrate the nature of man and his customs, in the way I describe his figure."

— Leonardo da Vinci

"The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark."

— Leonardo da Vinci

"Nature is full of infinite causes which were never set forth in experience."

— Leonardo da Vinci

"The solar rays will kindle fire on the earth, by which a thing that is under the sky will be set on fire, and, being reflected by some obstacle, it will bend downwards."

— Leonardo da Vinci

"The ball of snow when, as it rolls, it descends from the snowy mountains, increases in size as it falls."

— Leonardo da Vinci

"Necessity is the mistress and guardian of Nature."

— Leonardo da Vinci

"Painting embraces and contains within itself all the things which nature produces or which results from the fortuitous actions of men... he is but a poor master who makes only a single figure well."

— Leonardo da Vinci

"Human subtlety...will never devise an invention more beautiful, more simple or more direct than does nature, because in her inventions nothing is lacking, and nothing is superfluous."

— Leonardo da Vinci

"The false interpreters of nature declare that quicksilver is the common seed of every metal, not remembering that nature varies the seed according to the variety of the things she desires to produce in the world."

— Leonardo da Vinci

"The painter strives and competes with nature."

— Leonardo da Vinci

"I ask how far away the eye can discern a non-luminous body, as, for instance, a mountain. It will be very plainly visible if the sun is behind it; and could be seen at a greater or less distance according to the sun's place in the sky."

— Leonardo da Vinci

"In many cases one and the same thing is attracted by two strong forces, namely Necessity and Potency. Water falls in rain; the earth absorbs it from the necessity for moisture; and the sun evaporates it, not from necessity, but by its power."

— Leonardo da Vinci

"O time, swift robber of all created things, how many kings, how many nations hast thou undone, and how many changes of states and of various events have happened since the wondrous forms of this fish perished here in this cavernous and winding recess. Now destroyed by time thou liest patiently in this confined space with bones stripped and bare; serving as a support and prop for the superimposed mountain."

— Leonardo da Vinci

"The smallest natural point is larger than all mathematical points, and this is proved because the natural point has continuity, and any thing that is continuous is infinitely divisible; but the mathematical point is indivisible because it has no size."

— Leonardo da Vinci

"If you meet with any one who is virtuous do not drive him from you; do him honour, so that he may not have to flee from you and be reduced to hiding in hermitages, or caves or other solitary places to escape from your treachery; if there is such an one among you do him honour, for these are our Saints upon earth; these are they who deserve statues from us, and images..."

— Leonardo da Vinci

"First, of things relating to animals; secondly, of irrational creatures; thirdly of plants; fourthly, of ceremonies; fifthly, of manners; sixthly, of cases or edicts or quarrels; seventhly, of cases that are impossible in nature , as, for instance, of those things which, the more is taken from them, the more they grow. And reserve the great matters till the end, and the small matters give at the beginning."

— Leonardo da Vinci

"A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds. Thus, if you have to represent a man of noble character in the act of speaking, let his gestures be such as naturally accompany good words; and, in the same way, if you wish to depict a man of a brutal nature, give him fierce movements; as with his arms flung out towards the listener, and his head and breast thrust forward beyond his feet, as if following the speaker's hands. Thus it is with a deaf and dumb person who, when he sees two men in conversation — although he is deprived of hearing — can nevertheless understand, from the attitudes and gestures of the speakers, the nature of their discussion."

— Leonardo da Vinci

"Men will seem to see new destructions in the sky. The flames that fall from it will seem to rise in it and to fly from it with terror. They will hear every kind of animals speak in human language. They will instantaneously run in person in various parts of the world, without motion. They will see the greatest splendour in the midst of darkness. O! marvel of the human race! What madness has led you thus! You will speak with animals of every species and they with you in human speech. You will see yourself fall from great heights without any harm and torrents will accompany you, and will mingle with their rapid course."

— Leonardo da Vinci

"And if you should say that the shells were carried by the waves, being empty and dead, I say that where the dead went they were not far removed from the living; for in these mountains living ones are found, which are recognisable by the shells being in pairs; and they are in a layer where there are no dead ones; and a little higher up they are found, where they were thrown by the waves, all the dead ones with their shells separated, near to where the rivers fell into the sea, to a great depth; like the Arno which fell from the Gonfolina near to Monte Lupo, where it left a deposit of gravel which may still be seen, and which has agglomerated; and of stones of various districts, natures, and colours and hardness, making one single conglomerate. And a little beyond the sandstone conglomerate a tufa has been formed, where it turned towards Castel Florentino; farther on, the mud was deposited in which the shells lived, and which rose in layers according to the levels at which the turbid Arno flowed into that sea. And from time to time the bottom of the sea was raised, depositing these shells in layers, as may be seen in the cutting at Colle Gonzoli, laid open by the Arno which is wearing away the base of it; in which cutting the said layers of shells are very plainly to be seen in clay of a bluish colour, and various marine objects are found there. And if the earth of our hemisphere is indeed raised by so much higher than it used to be, it must have become by so much lighter by the waters which it lost through the rift between Gibraltar and Ceuta; and all the more the higher it rose, because the weight of the waters which were thus lost would be added to the earth in the other hemisphere. And if the shells had been carried by the muddy deluge they would have been mixed up, and separated from each other amidst the mud, and not in regular steps and layers — as we see them now in our time."

— Leonardo da Vinci

"I have seen motions of the air so furious that they have carried, mixed up in their course, the largest trees of the forest and whole roofs of great palaces, and I have seen the same fury bore a hole with a whirling movement digging out a gravel pit, and carrying gravel, sand and water more than half a mile through the air."

— Leonardo da Vinci

"That the atmosphere attracts to itself, like a lodestone, all the images of the objects that exist in it, and not their forms merely but their nature may be clearly seen by the sun, which is a hot and luminous body. All the atmosphere, which is the all-pervading matter, absorbs light and heat, and reflects in itself the image of the source of that heat and splendor and, in each minutest portion, does the same. The north pole does the same as the lode stone shows; and the moon and the other planets, without suffering any diminution, do the same."

— Leonardo da Vinci

"He who suffers time to slip away and does not grow in virtue the more one thinks about him the sadder one becomes. No man has a capacity for virtue who sacrifices honour for gain. Fortune is powerless to help one who does not exert himself. That man becomes happy who follows Christ. There is no perfect gift without great suffering. Our triumphs and our pomps pass away; gluttony and sloth and enervating luxury have banished every virtue from the world; so that as it were wandering from its course our nature is subdued by habit. Now and henceforth it is meet that you cure yourself of laziness. The Master has said that sitting on down or lying under the quilts will not bring thee to fame. He who without it has frittered life away leaves no more trace of himself upon the earth than smoke does in the air or the foam on the water."

— Leonardo da Vinci