Oscar Wilde on Art
Browse 13 quotations attributed to Oscar Wilde, catalogued under art, with dates where available.
This page displays 13 quotations attributed to Oscar Wilde and filed under "art" in QuoteLineage. The selection is ordered by stored importance and quality scores, not citation counts. A topic label describes how an entry is catalogued; it does not establish the theme's importance in the author's work.
Attributed to Oscar Wilde, entry #3335: "Paradoxically though it may seem, it is none the less true that life imitates art far more than art imitates life."
Attributed to Oscar Wilde, entry #168146: "It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest."
13 Quotes by Oscar Wilde on Art
"Paradoxically though it may seem, it is none the less true that life imitates art far more than art imitates life."
"It is well for his peace that the saint goes to his martyrdom. He is spared the sight of the horror of his harvest."
"Art is the only serious thing in the world. And the artist is the only person who is never serious."
"No great artist ever sees things as they really are. If he did, he would cease to be an artist."
"And, after all, what is a fashion? From the artistic point of view, it is usually a form of ugliness so intolerable that we have to alter it every six months."
"Art finds her own perfection within, and not outside of herself. She is not to be judged by any external standard of resemblance. She is a veil, rather than a mirror."
"They are always asking a writer why he does not write like somebody else, or a painter why he does not paint like somebody else, quite oblivious of the fact that if either of them did anything of the kind he would cease to be an artist."
"Art is Individualism, and Individualism is a disturbing and disintegrating force. Therein lies its immense value. For what it seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine."
"The one thing that the public dislike is novelty. Any attempt to extend the subject matter of art is extremely distasteful to the public; and yet the vitality and progress of art depend in a large measure on the continual extension of subject-matter. The public dislike novelty because they are afraid of it. It represents to them a mode of Individualism, an assertion on the part of the artist that he selects his own subject, and treats it as he chooses."
"If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all. The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question."
"Art is this intense form of individualism that makes the public try to exercise over it an authority that is as immoral as it is ridiculous, and as corrupting as it is contemptible. It is not quite their fault. The public have always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity. Now Art should never try to be popular. The public should try to make itself artistic."
"People sometimes inquire what form of government is most suitable for an artist to live under. To this question there is only one answer. The form of government that is most suitable to the artist is no government at all. Authority over him and his art is ridiculous."
"In Art, the public accept what has been, because they cannot alter it, not because they appreciate it. They swallow their classics whole, and never taste them. They endure them as the inevitable, and, as they cannot mar them, they mouth about them...A fresh mode of Beauty is absolutely distasteful to them, and whenever it appears they get so angry and bewildered that they always use two stupid expressions - one is that the work of art is grossly unintelligible; the other, that the work of art is grossly immoral."