Samuel Butler (novelist) on Knowledge

"There are some things which it is madness not to try to know but which it is almost as much madness to try to know."

"One of the first businesses of a sensible man is to know when he is beaten, and to leave off fighting at once."

"Intellectual over-indulgence is the most gratuitous and disgraceful form which excess can take, nor is there any the consequences of which are more disastrous."

"All men can do great things, if they know what great things are."

"The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it."

"A little boy and a little girl were looking at a picture of Adam and Eve. "Which is Adam and which is Eve?" said one. "I do not know," said the other, "but I could tell if they had their clothes on."

"An artist's touches are sometimes no more articulate than the barking of a dog who would call attention to something without exactly knowing what. This is as it should be, and he is a great artist who can be depended on not to bark at nothing."

"In the highest consciousness there is still unconsciousness, in the lowest unconsciousness there is still consciousness. If there is no consciousness there is no thing, or nothing. To understand perfectly would be to cease to understand at all."

"There is nothing less powerful than knowledge unattached, and incapable of application. That is why what little knowledge I have has done myself personally so much harm. I do not know much, but if I knew a good deal less than that little I should be far more powerful."

"Animals and plants cannot understand our business, so we have denied that they can understand their own. What we call inorganic matter cannot understand the animals' and plants' business, we have therefore denied that it can understand anything whatever."

"I could hardly avoid a sort of suspicion that some of those whom I was taken to see had been so long engrossed in their own study of hypothetics that they had become the exact antitheses of the Athenians in the days of St. Paul; for whereas the Athenians spent their lives in nothing save to see and to hear some new thing, there were some here who seemed to devote themselves to the avoidance of every opinion with which they were not perfectly familiar, and regarded their own brains as a sort of sanctuary, to which if an opinion had once resorted, none other was to attack it."

"People say that there are neither dragons to be killed nor distressed maidens to be rescued nowadays. I do not know, but I think I have dropped across one or two, nor do I feel sure whether the most mortal wounds have been inflicted by the dragons or by myself."

"But the main argument on which they rely is that of economy: for they know that they will sooner gain their end by appealing to men's pockets, in which they have generally something of their own, than to their heads, which contain for the most part little but borrowed or stolen property."

"In art, never try to find out anything, or try to learn anything until the not knowing it has come to be a nuisance to you for some time. Then you will remember it, but not otherwise. Let knowledge importune you before you will hear it. Our schools and universities go on the precisely opposite system."

"I should not advise anyone with ordinary independence of mind to attempt the public ear unless he is confident that he can out-lung and out-last his own generation; for if he has any force, people will and ought to be on their guard against him, inasmuch as there is no knowing where he may not take them."

"The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated."

"One can bring no greater reproach against a man than to say that he does not set sufficient value upon pleasure, and there is no greater sign of a fool than the thinking that he can tell at once and easily what it is that pleases him. To know this is not easy, and how to extend our knowledge of it is the highest and the most neglected of all arts and branches of education."

"“Plants,” said he, "show no sign of interesting themselves in human affairs. We shall never get a rose to understand that five times seven are thirty-five, and there is no use in talking to an oak about fluctuations in the price of stocks. Hence we say that the oak and the rose are unintelligent, and on finding that they do not understand our business conclude that they do not understand their own. But what can a creature who talks in this way know about intelligence? Which shows greater signs of intelligence? He, or the rose and oak?"

"No one thinks he will escape death, so there is no disappointment and, as long as we know neither the when nor the how, the mere fact that we shall one day have to go does not much affect us; we do not care, even though we know vaguely that we have not long to live. The serious trouble begins when death becomes definite in time and shape. It is in precise fore-knowledge, rather than in sin, that the sting of death is to be found; and such fore-knowledge is generally withheld; though, strangely enough, many would have it if they could."