Art × Meaning

Art and Meaning

Browse 30 quotations catalogued under art with "meaning" in the text or topic label.

30 quotes

This collection contains 30 quotations filed under Art with "meaning" in the quote text or topic label. These keyword matches offer a starting point for exploring Art and Meaning; they do not by themselves establish a shared argument or a historical connection between the authors.

The authors represented include Richard Feynman, Friedrich Nietzsche, Hermann Hesse, Rollo May, and others. Read each quotation in its own context rather than assuming that these authors share a position.

One matching quotation reads: "This conference was worse than a Rorschach test: There's a meaningless inkblot, and the others ask you what you think you see, but when you tell them, they sta…" The full quotation appears below.

Another matching quotation reads: "Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrifica…" Compare the wording and surrounding context to decide how each passage relates to your question.

Use the quotation links to explore individual entries and the author links to visit their profiles on QuoteLineage. For broader reading beyond these keyword matches, explore all Art quotes or the concept page for Meaning.

30 Quotes on Art and Meaning

"This conference was worse than a Rorschach test: There's a meaningless inkblot, and the others ask you what you think you see, but when you tell them, they start arguing with you!"

— Richard Feynman

"Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed. It is even a difficult thing for him to admit to himself that the insect or the bird perceives an entirely different world from the one that man does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless, for this would have to have been decided previously in accordance with the criterion of the correct perception, which means, in accordance with a criterion which is not available."

— Friedrich Nietzsche

"After each symbol conjured up by the director of a Game, each player was required to perform silent, formal meditation on the content, origin, and meaning of this symbol, to call to mind intensively and organically its full purport. The members of the Order and of the Game associations brought the technique and practice of contemplation with them from their elite schools, where the art of contemplation and meditation was nurtured with the greatest care. In this way the hieroglyphs of the Game were kept from degenerating into mere empty signs."

— Hermann Hesse

"The vision of the artist or the poet is the intermediate determinant between the subject and the objective pole . It will be nonbeing until the poet's struggle brings forth an answer — meaning. The greatness of a poem or a painting is not that it portrays the thing observed or experienced, but that it portrays the artist's or the poet's vision cued off by his encounter with the reality. Hence the poem or the painting is unique, original, never to be duplicated. No matter how many times Monet returned to paint the cathedral at Rouen, each canvas was a new painting expressing a new vision."

"Sociology is the science whose object is to interpret the meaning of social action and thereby give a causal explanation of the way in which the action proceeds and the effects which it produces. By "action" in this definition is meant the human behaviour when and to the extent that the agent or agents see it as subjectively meaningful the meaning to which we refer may be either the meaning actually intended either by an individual agent on a particular historical occasion or by a number of agents on an approximate average in a given set of cases, or the meaning attributed to the agent or agents, as types, in a pure type constructed in the abstract. In neither case is the "meaning" to be thought of as somehow objectively "correct" or "true" by some metaphysical criterion. This is the difference between the empirical sciences of action, such as sociology and history and any kind of a priori discipline, such as jurisprudence, logic, ethics, or aesthetics whose aim is to extract from their subject-matter "correct" or "valid" meaning."

"Whilst the distinction of ‘society’ and ‘individual’ has colloquial meaning, those inclined to the analysis of complex systems are more likely to ask which groups or societies are real individuals, exhibiting functional or behavioral integrity, as self-reproducing wholes. In pursuing this line of investigation, it is far more relevant to discriminate between types of groups than between groups and individuals, or even wholes and parts. It is especially helpful to distinguish feature groups from unit groups."

"Fautrier's exhibition made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me."

— Jean Dubuffet

"In the political, the social, the economic, even the cultural sphere, the revolutions of our time have been revolutions "against" rather than revolutions "for"… On the whole throughout this period the man--or party--that stood for doing the positive has usually cut a pathetic figure; well meaning but ineffectual, civilized but unrealistic, he was suspect alike to the ultras of destruction and the ultras of preservation and restoration."

— Peter Drucker

"My etchings have.. ..the mistake of being processed as images and to have at the same time the meaning of epigrams. It is the union of pure painting with pure graphics.. .From now onwards my task will be the division of art and graphics, and the full development of both fields. The pure art has already turned to impressionism and the graphics is going to do it."

"The whole problem, I suppose, is that any time some piece of communication strikes poor Fred, or any of the remaining Beasts, for that matter, as possibly meaningful—or is it meaningless? It’s been explained to me a dozen times and I still can’t get it right—anyway, his religious convictions say he has to either stop it or—barring that—refuse to be a party to it."

— Samuel R. Delany

"The truth is that the phenomena of artistic production are still so obscure, so baffling, we are still so far from an accurate scientific and psychological knowledge of their genesis or meaning, that we are forced to accept them as empirical facts; and empirical and non-explanatory names are the names that suit them best. The complete explanation of any fact is the very last step in human thought; and it is reached, as I have said, if indeed it is ever reached, by the preliminary processes of recognition, designation, and definition. It is with these preliminary processes that our aesthetic criticism is still occupied."

— Logan Pearsall Smith

"“In many a situation, the images that words hide while walking forth are the desired meaning of particular words rather than the word itself. Those words sing and dance by coming out of the paper."

— Suman Pokhrel

"Of all the media of expression employed by man none are so unstable, none so quick to change their meaning, as words. Even sculpture, architecture, painting, in their noblest works, speak differently under different conditions; but these arts are relatively immortal compared with speech."

— L. P. Jacks

"The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass. Sculpture in air is possible, where the stone contains only the hole, which is the intended and considered form. The mystery of the hole – the mysterious fascination of caves in hill sides and cliffs."

— Henry Moore

"Each work of art is a complete entity existing in its own right and by its own particular logic. It has its own reality and is independent of any particular creed or theory as a justification for its existence. This is not to say that artistic development may be considered as a self-sufficient process unrelated to social reality, because art is always concerned with the deeper and fundamentally human things; and any consideration of art is a consideration of humanity. But it does mean that we cannot apply the principles and logic of the past to a new work of art and hope to understand it. The eternal verities with which the artist is concerned do not change, but our conception of art does, as does our conception of form, and these must be extended if we are to understand fully and basically the meaning of a new work. It is a complex matter, but the elemental principles are always simple. The mass of modern art theory that developed around the fantastic changes of this century's painting can be largely ignored; only one or two fundamental principles are important. Probably most important in the new aesthetics from the painter's point of view was the statement of Degas, seventy years ago, in his unheeded advice to the Impressionists. He spoke then of a "Transformation in which imagination collaborates with memory... It is very well to copy what one sees; it is much better to draw what one has retained in one's memory”…This attitude, and all it implies, underlines the work of practically every painter of importance since 1900. Ultimately, it meant that the day of stage props and models was gone, and that imagination was recognised as the most important quality in an artist."

— Patrick Swift

"How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form."

— Rod Serling

"Abeh enrolled all three of us in school, which was taught in Amharic. We spoke only Somali and Arabic, so everything was completely foreign again for a little while. It wasn't until I could communicate that I came to a startling realization: the little girls in school with me were not Muslims. They said they were Kiristaan, Christian, which in Saudi Arabia had been a hideous playground insult, meaning impure. I went bewildered to my mother, who confirmed it. Ethiopians were kufr, the very sound of the word was scornful. They drank alcohol and they didn't wash properly. They were despicable."

— Ayaan Hirsi Ali

"When I want to do a painting with one colour overlapping another, it has to be a real overlap, not a depicted overlap. I didn't want to paint an overlap, meaning that it would be a deception or illusion. I no longer wanted to depict space, but to make a work that existed in literal space. Thus, my recent works are one canvas as a relief over another canvas. Another important example of a panel painting that explores the idea of the mural was Red Yellow Blue White 1952. It's the only one I ever did using actual dyed fabric of ready-made colours, which moves the painting into the realm of real objects."

— Ellsworth Kelly

"It was his subconscious which told him this — that infuriating part of a person's brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing."

— Douglas Adams

"I think that we realized that you didn't have to assert yourself as a personality in order to be personally expressive. We felt that we could deal solely with aesthetic issues, with the meaning of abstraction, without sacrificing individuality – or quality."

— Kenneth Noland

"approach recognizes the basic principle of a written Constitution. We "the people" adopted a written Constitution precisely because it has a fixed meaning, a meaning that does not change. Otherwise we would have adopted the British approach of an unwritten, evolving constitution. Aside from amendment according to Article V, the Constitution’s meaning cannot be updated, or changed, or altered by the Supreme Court, the Congress, or the President. Of course, even when strictly interpreted as I believe it should be, the Constitution remains a modern, "breathing" document as some like to call it, in the sense that the Court is constantly required to interpret how its provisions apply to the Constitutional questions of modern life. Nevertheless, strict interpretation must never surrender to the understandably attractive impulse towards creative but unwarranted alterations of first principles."

— Clarence Thomas

"If Russian painters were condemned to become the pupils of the West they were, I think, rather unfaithful ones by their very nature. The best Russian realist conflicts with the realism of Courbet. The most authentic Russian Impressionism leaves on perplexed if one compares it with Monet and Pissaro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root. Why my language itself is foreign to them. Why people do not place confidence in me. Why the artistic circles fail to recognize me. Why in Russia I am entirely useless.. .In Paris, it seemed to me that I was discovering everything, above all a mastery of technique.. .It was not in technique alone that I sought the meaning of art then. It was as if the gods had stood before me.. .I had the impression that we are still only roaming on the surface of matter, that we are afraid to plunge into chaos, to shatter and overthrow beneath our feet the familiar surface."

— Marc Chagall

"He was the visionary who launched the 'look East' policy and gave India's engagement with ASEAN a different meaning. India became a Sectoral Dialogue Partner of ASEAN in 1992 and Full Dialogue Partner in 1996. And now, we sit with them in the summit, as India is the largest trading partner of ASEAN."

— P. V. Narasimha Rao

"Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss."

"A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people."

— Edgar Degas

"While there may exist no more than the normal extent of disagreement about the meaning of particular terms or theses contained in these works, there is a startling degree of divergence about the central view, the basic political attitude of Machiavelli."

— Isaiah Berlin

"Some of Mr. Gregory’s poems have merely appeared in The New Yorker; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it — they are the trademark not simply of a magazine but of a class."

— Randall Jarrell

"By Suprematism I mean the supremacy of pure feeling in creative art. To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling."

— Kazimir Malevich

"No one component of a film can have any meaning in isolation: it is the film that is the work of art. And we can only talk about its components rather arbitrarily, dividing it up artificially or the sake of theoretical discussion."

— Andrei Tarkovsky

"I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.. ..I chose my own label and called my paintings 'Pictographs'.."

— Adolph Gottlieb

Key thinkers on this theme

Richard Feynman· Science Friedrich Nietzsche· Philosophy Hermann Hesse· Literature Rollo May· Philosophy Max Weber· Science

Related ideas in Art

All Art quotes Explore the idea of Meaning