Art × Truth

Art and Truth

Browse 30 quotations catalogued under art with "truth" in the text or topic label.

30 quotes

This collection contains 30 quotations filed under Art with "truth" in the quote text or topic label. These keyword matches offer a starting point for exploring Art and Truth; they do not by themselves establish a shared argument or a historical connection between the authors.

The authors represented include Bertrand Russell, Friedrich Nietzsche, Carl Sagan, George Orwell, and others. Read each quotation in its own context rather than assuming that these authors share a position.

One matching quotation reads: "Mathematics, rightly viewed, possesses not only truth, but supreme beauty – a beauty cold and austere, like that of sculpture, without appeal to any part of ou…" The full quotation appears below.

Another matching quotation reads: "Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrifica…" Compare the wording and surrounding context to decide how each passage relates to your question.

Use the quotation links to explore individual entries and the author links to visit their profiles on QuoteLineage. For broader reading beyond these keyword matches, explore all Art quotes or the concept page for Truth.

30 Quotes on Art and Truth

"Mathematics, rightly viewed, possesses not only truth, but supreme beauty – a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than Man, which is the touchstone of highest excellence, is to be found in mathematics as surely as in poetry. What is best in mathematics deserves not merely to be learnt as a task, but to be assimilated as a part of daily thought, and brought again and again before the mind with ever-renewed encouragement."

— Bertrand Russell

"Only by forgetting this primitive world of metaphor can one live with any repose, security, and consistency: only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed. It is even a difficult thing for him to admit to himself that the insect or the bird perceives an entirely different world from the one that man does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless, for this would have to have been decided previously in accordance with the criterion of the correct perception, which means, in accordance with a criterion which is not available."

— Friedrich Nietzsche

"At the heart of science is an essential balance between two seemingly contradictory attitudes - an openness to new ideas, no matter how bizarre or counterintuitive, and the most ruthlessly skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense. The collective enterprise of creative thinking and skeptical thinking, working together, keeps the field on track. Those two seemingly contradictory attitudes are, though, in some tension."

"rightly claimed that State patronage is a better guarantee against starvation than private patronage, but seemed to me too ready to disregard the censorship that this implies. The usual line was that it is better for the artist to be a responsible member of a community than an anarchic individualist. The issue, however, is not between irresponsible "self-expression" and discipline; it is between truth and lies. Artists don't so much object to aesthetic discipline. Architects will design theatres or churches equally readily, writers will switch from the three-volume novel to the one-volume, or from the play to the film, according to the demand. But the point is that this is a political age. A writer inevitably writes—and less directly this applies to all the arts—about contemporary events, and his impulse is to tell what he believes to be the truth. But no government, no big organization, will pay for the truth. To take a crude example: can you imagine the British Government commissioning E. M. Forster to write A Passage to India? He could only write it because he was not dependent on State aid."

— George Orwell

"If the colleges were better, if they ... had the power of imparting valuable thought, creative principles, truths which become powers, thoughts which become talents, — if they could cause that a mind not profound should become profound, — we should all rush to their gates: instead of contriving inducements to draw students, you would need to set police at the gates to keep order in the in-rushing multitude."

— Ralph Waldo Emerson

"Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart and generic secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare's morality, his valour, candour, tolerance, truthfulness; his whole victorious strength and greatness, which can triumph over such obstructions, visible there too? Great as the world!"

— Thomas Carlyle

"Here you are, put this somewhere, on your work table. You must always have this before your eyes.. .It's a new order of painting. Our Renaissance starts here.. .There's a pictorial truth in things. This rose and this white lead us to it by a path hitherto unknown to our sensibility.."

— Paul Cézanne

"The art of painting is only the art of expressing the invisible by the visible. Whether its roads be great or small, they are sown with problems which it is permitted to sound for one's self as truth, but which it is well to leave in their darkness as mysteries."

— Eugène Fromentin

"You tell the big lie by carefully selecting only the small, isolated truths, linking them in such a way that that advance the bigger lie by painting a picture inside the viewer's head. The Ascended High Master of this Dark Art is Noam Chomsky."

— Bill Whittle

"There will come a time when the proper education of children, by a glorified system of spontaneous education of choice, similar to the Montessori System, will be made possible. Children, as well as grown-ups, in their individual, glorified, drudgery-proof homes of Labrador, the tropics, the Orient, or where you will, to which they can pass with pleasure and expedition by means of ever-improving transportation, will be able to tune in their television and radio to the moving picture lecture of, let us say, President Lowell of Harvard; the professor of Mathematics of Oxford; of the doctor of Indian antiquities of Delhi, etc. Education by choice, with its marvelous motivating psychology of desire for truth, will make life ever cleaner and happier, more rhythmical and artistic."

— Buckminster Fuller

"I have to be a risk-taker and just tell the truth the way it is. Everything that bothers me. Everything that must be told. Fearlessly. My loyalty is to the inner vision. There is no other way work of artistic worth can be done."

— Vivek Agnihotri

"Atheism is, I suppose, the supreme example of a simple faith. The man says there is no God; if he really says it in his heart, he is a certain sort of man so designated in Scripture . But, anyhow, when he has said it, he has said it; and there seems to be no more to be said. The conversation seems likely to languish. The truth is that the atmosphere of excitement, by which the atheist lived, was an atmosphere of thrilled and shuddering theism, and not of atheism at all; it was an atmosphere of defiance and not of denial. Irreverence is a very servile parasite of reverence; and has starved with its starving lord. After this first fuss about the merely aesthetic effect of blasphemy, the whole thing vanishes into its own void. If there were not God, there would be no atheists."

— G. K. Chesterton

"I remember seeing how Layne reacted to Andy dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write , and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically."

— Chris Cornell

"..is conceived of as an adventure, without preconceived ideas on the part of persons of intelligence, sensibility, and passion. Fidelity to what occurs between oneself and the canvas, no matter how unexpected, becomes central.. ..the major decisions in the process of painting are on the grounds of truth, not taste..."

— Robert Motherwell

"Artistic growth is, more than it is anything else, a refining of the sense of truthfulness. The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is."

— Willa Cather

"'For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?'"

— Thomas Ligotti

"The things that are most important to me in such a project are perfectionism and truth. Truth of interpretation, truth of sound, truth of the instrument, truth of the hall, truth lastly of all. This means ‘Artistic Integrity’ to me."

— Burkard Schliessmann

"Art is the beautiful illustration of Truth from the creative imagination. The truth is in our life and unless it comes from the formlessness to the form we do not realize it."

— Laxmi Prasad Devkota

"The truth lies somewhere between these two aesthetics . The 'pure form' of w:Ingres led inevitably to a life-less Platonism; the lyricism and Romanticism of Eugène Delacroix no longer tailed with our cerebral and geometric age.. ..as in all great ages, today's artwork must be the synthesis of these two things ."

— Gino Severini

"It is the fact of life that a truth emerges out of a conflict between two wrongs. The development of society is through contradictions. Thus the Roopa Bhadrata argument which arose out of our conflict was wrong, in another sense it was correct too. Evaluating the worth of literature we should never confine ourselves to content alone. Mundassery was correct in insisting that form too is to be evaluated. In his own words it is not enough to have perfect content, it must also have perfect form. That is Roopa Bhadrata. Is that not correct? Yes, it is. We accept that we were wrong on that count. Those of us who founded the Jeevat Sahitya Sanghom were political workers. We looked at literature too through political eyes. So we did not pay sufficient attention to the artistic structure of literature. That was our mistake."

— E. M. S. Namboodiripad

"It is a false idea that drawing in itself can be beautiful. It is only beautiful through the truths and the feelings that it translates. The crowd admires artists, who, strong in subject, elegantly pen contours destitute of significance, and who plant their figures in pretentious poses. It goes into ecstasies over poses which are never seen in nature, and which are considered artistic because they recall the posturings of the Italian models who offer themselves at the studio door. That is what is generally called beautiful drawing. It is really only sleight-of-hand, fit to astonish boobies."

— Auguste Rodin

"Actually Rogers Fry's Vision and Design was the most lucky discovery for me. I came on it by chance while looking for another book in the Leeds Reference Library. Fry in his essay on 'Negro Sculpture' stressed the 'three-dimensional realization' that characterized African art and its 'truth to material'. More, Fry opened the way to other books and to the realization of the British museum. That was really the beginning."

— Henry Moore

"He who lies artistically, treads closer to the truth than ever he knows."

— Fritz Leiber

"Art is realistic when it strives to express an ethical ideal. Realism is striving for truth, and truth is always beautiful. Here the aesthetic coincides with the ethical."

— Andrei Tarkovsky

"My life is pretty well at peace, and the profession is more of an avocation. It's a calling, if you like, rather than a job. I do what I feel impelled to do, as an artist would. Scientists function in the same way. I see all these as creative activities, as all part of the process of discovery. Perhaps that's one of the characteristics of what I call the evolvers, any subset of the population who keep things moving in a positive, creative, constructive way, revealing the truth and beauty that exists in life and in nature."

"The truth is that the phenomena of artistic production are still so obscure, so baffling, we are still so far from an accurate scientific and psychological knowledge of their genesis or meaning, that we are forced to accept them as empirical facts; and empirical and non-explanatory names are the names that suit them best. The complete explanation of any fact is the very last step in human thought; and it is reached, as I have said, if indeed it is ever reached, by the preliminary processes of recognition, designation, and definition. It is with these preliminary processes that our aesthetic criticism is still occupied."

— Logan Pearsall Smith

"..I want a lovely life; in order for it to be, harmony and style are necessary. I avow mine to the key of aesthetic sentiment – the constant permanent creation everywhere and in every one. All is false there, all is true. The truth is the desire to see falsely. I do not want the naked truth; it is the principle of my life. It is that which makes my life one which is artistic and complete. Feelings, events, people and things, such as they are, are nothing to me. I wish them invented, illusory, false in so far as true life and in so far as art."

— Marianne von Werefkin

"… especially considering that the whole matter of applying photography to purely artistic ends is in such a state of infancy, and that this idea of deliberate violation of truth to fact, for the sake of securing truth to ideas, has hardly yet been put into practice."

— Alfred Horsley Hinton

"The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful."

— Adolphe Quetelet

"It was difficult to believe these things had taken place such a very long time ago. The events seemed distant, as though he had only read about them and not experienced them at all. He knew that at this point his death was far closer, far more tangible. That was something he could almost touch. One could feel one’s mortal form progressing slowly to ruin, like that old abbey—the signs were undeniable. Things went wrong inside a man and did not come right again. That was the truth that hung over one’s head like a blade. Injuries and illnesses were no longer easily repaired. And as with some part of a painting that he could never get right, the great danger was to see nothing but what was wrong. The trap of age."

— Sean Russell

Key thinkers on this theme

Bertrand Russell· Philosophy Friedrich Nietzsche· Philosophy Carl Sagan· Science George Orwell· performing arts Ralph Waldo Emerson· Literature

Related ideas in Art

All Art quotes Explore the idea of Truth