"Elgar is not manic enough to be Russian, not witty or pointilliste enough to be French, not harmonically simple enough to be Italian and not stodgy enough to be German. We arrive at his Englishry by pure elimination."

“His range is so Handelian that he can give the people a universal melody or march with as sure a hand as he can give the Philharmonic Society a symphonic adagio, such as has not been given since Beethoven died.”

“To my friends pictured within.”

“Play it like something you hear down by the river.”

“My idea is that there is music in the air, music all around us, the world is full of it and you simply take as much as you require.”

“The enigma I will not explain – its "dark saying" must be left unguessed, and I warn you that the apparent connection between the variations and the theme is often of the slightest texture.”

“The aggressive Edwardian prosperity that lends so comfortable a background to Elgar's finales is now as strange to us as the England that produced Greensleeves and The Woodes so wilde. Stranger, in fact, and less sympathetic. In consequence much of Elgar's music, through no fault of its own, has for the present generation an almost intolerable air of smugness, self-assurance and autocratic benevolence.”