"My stories run up and bite me in the leg — I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off."

“For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ's birth, there is no Bethlehem star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles -- breaks. Such are the autumn people. Beware of them.”

“I write fantasy. The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened.”

“At the center of religion is love. I love you and I forgive you. I am like you and you are like me. I love all people. I love the world. I love creating. Everything in our life should be based on love.”

“If you're reluctant to weep, you won't live a full and complete life.”

“I feel like I own all the kids in the world because, since I've never grown up myself, all my books are automatically for children. … It's mutual delight and love made manifest. For one thing, kids love me because I write stories that tell them about their capacity for evil. I'm one of the few writers who lets you cleanse yourself that way.”

“I’m working on a screenplay of Fahrenheit 451 that will star Mel Gibson. It will be better than the original because they left a lot of things out of the first film. … It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.”