"“It’s kind of an old-fashioned book…It’s long; it has a lot of characters; it takes a big theme. It isn’t a navel-staring, dysfunctional-family thing that’s so beloved of most American writers. It’s different, but I think people probably miss those books that were written some time ago – the big book that was written with care."

“That was the stuff of other lives, he was waiting for his to begin. He got in the habit of walking around the trailer and asking aloud, "Who knows?" He said, "Who knows?" For no one knew. He meant, anything could happen. A spinning coin, still balanced on its rim, may fall in either direction.”

““This has always bothered me, the division: as though there was something about women who write that is very different.”

“the old place of the Quoyles, half ruined, isolated, the walls and doors of it pumiced by stony lives of dead generations. The aunt felt a hot pang. Nothing would drive them out a second time.”

“Quoyle, who spoke little himself, inspired talkers. His only skill in the game of life”

“For the devil had long ago taken a shine to Tert Card, filled him like a cream horn with itch and irritation. His middle initial was X. Face like cottage cheese clawed with a fork.”

““The construction of short stories calls for a markedly different set of mind than work on a novel, and for me short stories are at once more interesting and more difficult to write than longer work. The comparative brevity of the story dictates more economical and accurate use of words and images, a limited palette of events, fewer characters, tighter dialogue, strong title and punctuation that works to move the story forward. If the writer is trying to illustrate a particular period or place, a collection of short stories is a good way to take the reader inside a house of windows, each opening onto different but related views—a kind of flip book of place, time and manners.”