"At the same time as Sorel, the revolutionary syndicalists in Italy came to this conclusion: they threw themselves enthusiastically into the war not out of patriotism, as is often thought, but because they saw it as an instrument of revolution. Since war is a conflict between nations rather than between classes, the nation was seen as the foremost agent of revolution, and Italian revolutionary syndicalism became the backbone of fascist ideology."
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"The magic of my situation with Johnny Franz was that he allowed me the freedom to follow my enthusiasm. He’d sit in the control room while I’d go out and scowl at the musicians. It was very difficult …"
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