"When you are very young, you tend to accept standards for such momentous judgments as to whether a girl is beautiful; when you reach the age of experience you come to know beauty in the sense that “knowing” is to possess. Beauty does more than reflect light, it is the action of energy on form, glowing as a total function. This is singularly true of a grouse dog in his consecration to his bird."

“If I could shoot a game bird and still not hurt it, the way I can take a trout on a fly and release it, I doubt if I would kill another one. This is a strange statement coming from a man whose life is dedicated to shooting and gun dogs. For me, there is almost no moment more sublime than when I pull the trigger and see a grouse fall. Yet, as the bird is retrieved I feel a sense of remorse for taking a courageous life. About the time I passed fifty I noticed this conflict becoming more pronounced...”

“In pursuing the wraith that was Paul Curtis, I more than ever was aware that what lives after a shooting man is what has been published of his writings. Memories of the man grow dim and not too rarely become confused almost but not quite capturing for me a presence that surfaced like a zither theme in a suspense movie.”

“The child tells what he got for Christmas, the mature man tells how he spent the day; the immature hunter tells how many birds he shot, the mature gunner tells of the experience. If I can impart a sense of gunning values through my writing, I urge the gunner at any age to lift himself above the childish state of mind, thinking only of himself and not what he is doing to the birds.”

“The man must learn to know his dog as a personality, not a formula. I have no objection to a grouse dog swinging on his cast and coming in from behind me – a misdemeanor by trial standards. Grouse terrain is such that if it can best be covered by the dog’s working in an unorthodox manner, I consider him intelligent if he does so.”

“To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse.”

“If you can approach shooting as something to be enjoyed, not a frustrating obsession, it can enrich your life.”