#nature

"“ should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the Nagas are as Hindu in the territorial sense, and Sanatana in the spiritual sense, as classical Sanskritic Hinduism. And this ideology should cover not only religious and spiritual practices and concepts, but every single aspect of India’s matchlessly priceless cultural heritage: climate and topography; flora and fauna; races and languages; music, dance and drama; arts and handicrafts; culinary arts; games and physical systems; architecture; costumes and apparels; literature and science …. A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…"

React to this quote

More by Shrikant Talageri

See all

“But the same argument cannot hold for a post-Rigvedic movement from the northwest into the rest of India: it is clear that a full-fledged literary tradition had certainly started with the Rigveda at least; and any post-Rigvedic movements should be reflected in the later texts.”

“The latest paper on the genetic/genomic evidence which has enthused AIT supporters and activists seems to echo and substantiate with military precision the exact points enunciated by the AIT scholars and activists since two centuries, especially on the chronological angle. ... What is worse is that, even as they ignore the latest linguistic, archaeological and textual/inscriptional data and evidence, their whole proof is based on the claim that the "genomic" dates derived by them actually "fit in" with the dates derived by linguists for the alleged "Aryan" migrations from the Steppes ! This is like a group of committed Church "scientists" in the 1600s periodically announcing new "scientific" discoveries which fitted in with the Church-held geocentric view of the world, while refusing to consider or debate the contemporary works of Galileo Galilei which proved the heliocentric case. .”

“Pargiter’s examination of traditional history produces a picture which tallies perfectly with our theory. He describes the expansion of the Aryans from the region around Allahabad into the northwest and beyond in great detail.”

“It is difficult to believe that Witzel is serious in his incredible assertions ... And when other verses do refer to a river of that name, this river may be “anywhere” from Arachosia to the “night time sky”: anything but the Haryana river – the sky is the limit! In his 1995 papers, he locates the Sarasvati in hymn 6.61 squarely in Kurukshetra in his “Geographical Data” as well as in his descriptions of Mandala 6: “W/NW, Panjab, Sarasvati, Ganga” . And nowhere in those papers does he suggest anything contrary!”

“The identification of the BhRgus with Soma is deeper, older and more significant: it is clear that the Soma plant originated among the BhRgus of the northwest, and it is they who introduced the plant and its rituals to the Vedic Aryans and their priests.”

“To begin with...: “a) Each Mandala . contains hymns ascribed to the descendants of earlier mandalas , or the ancestors of later mandalas . b) Each Mandala contains references to composers from earlier or contemporaneous mandalas ” And “in not one of these respects do we find the allegedly ‘concocted’ Anukramani ascriptions …. differing from the allegedly ‘original’ ascriptions”.”