"That's where, I think, I changed for that 'Grande Vallée' subject , which was really not a subject - the 'Grande Vallée' was a place where this Gisele Barreaux played with her cousin when they were children, and the cousin, aged 28, died of cancer. And she told me he said to her , 'If we could only return to the Grande Vallee once again,' as he was dying. I mean, that was what that was all about, so that was a subject of.. .You know, it was the summer my sister died - the same week - and we went to the Manet show. .. ..when I started the 'Grande Vallée'.. .And I was stuck on a subject, and I thought, 'This is very true and very simple,' and I thought, 'Shit, I'll paint the Grande Vallée for her.' And now, I got her to tell me about it, and it was green and blue, and it was just a vast sort of territory outside Nantes . And so that's how I got started on that whole series."

“And then the spring of '48 I toddled off to Paris on a Liberty ship.. .Yes, and arriving in Le Havre on that Liberty ship and seeing all those—the sun was coming up—and seeing all those ships sunk.. It was hardly.. .I mean, war, war, war, war... .I went to Paris, and I stayed with Zuka and Louis . And I looked for a place—and found it on Rue Gallande. Across the river was Notre Dame. That was all of four dollars a month, with a hole on the stairs as a toilet and a spigot with cold water and one light-bulb. That was all the electricity there was. But this view, I mean, God!.. .Saint Julien le Pauvre was right in front of me. And so I painted there.”

“It is quite a narrow studio , I can never see a big four-panel all at once.. ..I can see two big panels. That’s about all.. .I had an awful lot going on at once, going back and forth. I turn to a wall . I cant paint with everything showing.”

“Well, I once wrote in - it's in Joan Mitchell Paints a Picture, as I remember, Irving Sandler, a long time ago, that I hated the word 'Nature' with a capital 'N.'.. .But now I accept it, I suppose. I mean, I really like trees and flowers and dogs and all that much more than.. ..a lot of other people .. .You know, I really do get pleasure out of.. .Great pleasure. Out of just looking at.. .But I have fun here too, you know.”

“.. the feeling in a line of poetry which makes it different from, a line of prose.. .Sentimentality is self-pity, your own swamp. Weeping in your own beer is not a feeling. It lacks dignity and hasn't an outside reference.”

“I've have tried to take from everybody .. .I can't close my eyes or limit my experiences.. .Because I live now, I am more interested in art now. It's different as any art is different from period to period. But it's no better or worse.”

“And the first studio I went to .. .I was trying to find de Kooning because he had a painting at the Whitney, which was in the old Studio School , you know.. .And I thought I would like to know him. I really dug his painting, and I dug Gorky's painting.. .But the first studio I went into was Franz Kline.. .and there were all these Klines, unstretched, hanging on the brick walls. Beautiful. You know, with the telephone book drawings all over the floor, and Kline yakking away, and it was just, I was out of my mind! And so from then on I got involved in the Artists Club. They allowed very few women in, and I was included for $35 a year. And I got very involved in the Cedar Bar and the whole thing..”