"Although we revolutionary socialists are always accused of being Utopian, nothing strikes me as more Utopian than the reformist belief that with a bit of tinkering and some good faith, we can systematically improve the world. You have to ask how many decades of broken promises and failed schemes it will take to disprove that hope. Marxism isn’t about saying you’ll get a perfect world: it’s about saying we can get a better world than this one, and it’s hard to imagine, no matter how many mistakes we make, that it could be much worse than the mass starvation, war, oppression, and exploitation we have now. In a world where 30,000 to 40,000 children die of malnutrition daily while grain ships are designed to dump food into the sea if the price dips too low, it’s worth the risk."

“There are no cats in UnLondon, for example, because they’re not magic and mysterious at all, they’re idiots.”

“As far as I'm concerned, some of the best literature of the last hundred years has come out of the genre tradition and of course the best of it challenges expectations just as the best of literary fiction challenges those expectations. But it's not that genre fiction is any more a constraint than mimetic fiction. So I see myself very much as a genre writer. I love the fantastic genres. I see what I'm doing as a development of them but very much a part of them. I never feel that I'm leaving them behind. I try and be as experimental and avant-garde and stretching as I can be but I don't see that as turning my back on the genre at all. Genre has always been able to encompass that.”

“This was the most difficult, the most extraordinary transition. Her body had been a source of shame and disgust; to engage in activities with no purpose at all except to revel in their sheer physicality had first nauseated, then terrified, and finally liberated her.”

“That was a salvo of something against something.”

“Neither dust nor light stirred. It was as if time had been bled dry and given up.”

“I see echoes with lots of books in all my books, some deliberate, some unconscious until later, and as long as that is respectful I think that's great - writing on the shoulders of other writers is a privilege.”