"All this countryside was calm and peaceful. The strongest emotions I have experienced on the high roads or on the hill tops whence I could see down into the valleys on to the roofs of houses which I felt I could reach out and touch with my hand.. And then I was tempted to begin painting .. .I composed instinctively and awkwardly. I applied colors with only one idea which justified everything: to express what I felt. I painted hesitantly and exclusively for myself and no one else. It seemed to me that water, sky, clouds and trees understood the happiness they gave me."

“I always look at everything with the eyes of a child. I feel enthusiastic for things today fort he same reasons as I was enthusiastic about them as a child.. .I remember one summer morning when I was twelve years old , I was with my father. We were following a road which crossed the plain from Rueil to Croissy. The whole plain was a solid field of corn and the ears stood higher than my head. I still retain today the impression of the vast expanse, spangled with flowers and filled with the drone of insects. Often, later on, I have tried to recapture, to fix firmly in my mind once again, the impression of that world around me, of the sun which burns my face and hands.. .Every time a see a field of corn I an reminded of that morning.”

“The thought of becoming a painter never as much as occurred to me. I would have laughed out loud if someone had suggested that I choose painting as a career. To be a painter is not a business, no more than to be an artist, lover, racer, dreamer, or prizefighter. It is a gift of Nature, a gift..”

“having dragged French painting into the most dismal 'impasse' and of having led it into in describable confusion. From 1900 – 1930, he led it towards negation, impotence and death. All alone with himself Picasso is impotence made man. Nature havinf denied him a real character, all his intelligence and malice have been employed to fabricate a personality.”

“..a revolt against an established order in painting, a revolt against an established order in society, a same spirit of provocation..”

“My father was a violinist, my mother a pianist. I was born into a world of music.. .The practicing of my father's pupils accompanied every thought and action of my childish life.. ..Then when I was thirty , my career as musician was brought to an end by Vollard who bought all the pictures I possessed, pictures which I had painted over several years with unbounded enthusiasm during such hours of freedom as I was able to spare between -lessons to my pupils.”

“The war gave me a certainty of belief. I grew aware of the bankruptcy of theories, of the theories of intellectuals as well as artists. L'art pour l'art and other grave problems no longer gave me a headache; they seemed to me so much bosh hand interested me as little as platonic love.”