"The all-inclusiveness of the RV in the realm of mythology is also observable in the sphere of poetics. There is hardly a major poetic device in the various IE branches that is not present in the RV. A significant aspect, for example, is that in early Greek poetry the fairly strict syllabic meter is preponderant with only traces of alliteration; in Germanic poetry alliteration prevails while the syllabic meter is very loose: both are present in the RV. ...Early Irish poetry has both meter and alliteration but this hardly counts since the Irish poets knew these poetic devices “from Vergil and Ovid” and, of course, the Romans developed them from the Greek tradition. Of the Vedic poetic art Watkins writes: “The language of India from its earliest documentation in the Rigveda has raised the art of the phonetic figure to what many would consider its highest form”."

“That most mainstream philologists will react unfavourably to this thesis I take for granted. I know well in myself the force of habit and of attachment to deep-rooted notions that reacts more through emotional outbursts than cool rationality. I repeat that the issue of origins, of when and how, is one not for philologists but for archaeologists and experts in related fields. We owe it, other than to the peoples of India who, I think, have long been wronged , to truth itself, which is the primary concern of all of us, to consider this thesis without prejudice.”

“Sanskrit appears to have lost far fewer items and preserves much greater organic coherence than the other branches. This supports the general idea that Sanskrit is much closer to Proto-Indo-European and that, since this could only happen in sedentary conditions, the Indoaryan speakers of Sanskrit did not move from the original homeland.”