"Ideas must be put to the test. That's why we make things, otherwise they would be no more than ideas. There is often a huge difference between an idea and its realisation. I've had what I thought were great ideas that just didn't work. Sometimes it's difficult to say if something has worked or not. Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made."

“My work comes first, reasons for it follow.”

“One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.”

“I find some of my new works disturbing, just as I find nature as a whole disturbing. The landscape is often perceived as pastoral, pretty, beautiful – something to be enjoyed as a backdrop to your weekend before going back to the nitty-gritty of urban life. But anybody who works the land knows it's not like that. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.”

“You must have something new in a landscape as well as something old, something that's dying and something that's being born.”

“Snowballs In Summer at EyeStorm”

“The skepticism of the art establishment seems to be based on, as much as anything, a kind of big-city prejudice against work so free from urban angst. ~ Lynn Macritchie in Art in America”