"At first I intended to carry on working in Saint-Prex in the same way I had been working in Munich . But something inside me prevented me from painting colourful, sensuous pictures. Suffering had changed my soul, telling me to find other forms and colours to express what was on my mind."

“So the years passed and I worked a great deal. And then I became ill and although I could still work, despite the fact that my hands became more and more rigid. I could no longer pick up the paintbrush and had to use both hands to do so, always with a great deal of pain. The format of my works became very small, and I also had to find a new technique. For three years I painted these small heads like a man possessed. Then I realized that I would soon have to stop working entirely: and that's what happened, too!”

“My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking purely through colour.. .And now I leave these small – but to me – important works to the future and to the people who love art.”

“Since 1929 I have suffered from an extremely painful disease which gets worse every year. Little by little my arms and hands have become stiff and bent and I have terrible pain. This stiffness in my elbows and wrists has tremendously hindered my painting and I have had to find a new technique. My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual..”

“The whole of French art is a matter of seeing Nature as beautiful, very beautiful, in fact. But on the whole this is not enough. You have to create your own Nature – Van Gogh!”

“Perhaps you have heard that Baroness Werefkin died in February. It was a great blow to me. Yes, indeed, sooner or later we have to pay for our mistakes once made. And often so severely.”

“This acquaintance would change my life. I became a friend of hers, of this clever woman gifted with genius.”