"Capital was kick-started by the rape of the African continent, a phenomenon that is central to neither Gramsci nor Marx. ... Capital was kick-started by approaching a particular body with direct relations of force, not by approaching a white body with variable capital. Thus, one could say that slavery is closer to capital’s primal desire than is exploitation. It is a relation of terror as opposed to a relation of hegemony. Second, today, late capital is imposing a renaissance of this original desire, the direct relation of force, the despotism of the unwaged relation. This renaissance of slavery—that is, the reconfiguration of the prison-industrial complex—has once again as its structuring metaphor and primary target the black body."
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"Before man was aware of art he was aware of himself. Awareness of the person is, then, the first art. In performance art the figure of the artist is the tool for the art. It is the art."
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