"The spirit of our age is fraught with paradox. It is at the same time pragmatic and transcendental. It values both enlightenment and mystery... power and humility ... interdependence and individuality. It is simultaneously political and apolitical. Its movers and shakers include individuals who are impeccably Establishment allied with one-time sign-carrying radicals."

“The premonition was recorded, from time to time, that a minority of individuals would someday be yeast enough to leaven a whole society. Serving as a magnet culture, they would attract order around them, transforming the whole. The central idea was always the same: Only through a new mind can humanity remake itself, and the potential for such a new mind is natural.”

“In 1967 Barbara Marx Hubbard, a futurist moved by Teilhard's vision of evolving human consciousness, invited a thousand people around the world, including Maslow's network, to form a "human front" of those who shared a belief in the possibility of transcendent consciousness. Hundreds responded, including Lewis Mumford and Thomas Merton. Out of this grew a newsletter and later a loose-knit organization, the Committee for the Future.”

“Science has always tried to understand nature by breaking things into their parts. Now it is overwhelmingly clear that wholes cannot he understood by analysis. This is one of those logical boomerangs, like the mathematical proof that no mathematical system can be truly coherent in itself.”

“The Prescription: We must face our pain and conflict. Until we quit denying our failures and muffling our uneasiness, until we confess our bewilderment and alienation, we can't take the next and necessary steps. The political system needs to be transformed, not reformed.”

“Generation after generation, humankind fights to preserve the status quo, maintaining "better the devil you know than the devil you don't know," a bit of folk cynicism that assumes the unknown to be dangerous. p. 197”

“I see through the eye, not with it," said poet-engraver William Blake, who lived in the late eighteenth and early nineteenth centuries. The enemy of whole vision, he said, was our reasoning power's divorce from imagination, "closing itself in, as steel." This half-mind was forever making laws and moral judgments and smothering spontaneity, feeling, art. To Blake, his age itself stood as the accuser, characterized by fear, conformity, jealousy, cynicism, the spirit of the machine. Yet this dark force was only a "Spectre," a ghost that could be exorcised from the minds it haunted.”