"The simple reason why we work together is just the contrast in our voices. People try to come up with intellectual reasons for 'the noise' and it ain't nothing intellectual. We was just making BAU tapes and needed voices to cut through that shit. Flavor got a powerful trebly voice, with cut. I got some bass with treble and pitch, which also cuts. So you put me and Flavor together and it's basically like Bobby Bird and James Brown — Everybody over here? Get on Up! The Bird/Brown combination set off everything."

“What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown — in the tradition of the best black comics — yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion — a preposterous getup — yet it is designed to illustrate, through a comic medium, that time is indeed running out.”

“Well let me tell you something, I can't be nobody but myself. Ya know what I'm saying? The thing that makes the world love Flav is Flav being himself. So honestly man, to tell you the truth: it was not hard to be myself. It was real easy.”

“Well let me tell you like this, the rap scene right now has taken its own course and its own direction because you have so many rap records of all different calibers coming out. And me, I favor everybody, I like everybody and the reason why is because I want everyone to Favor Flav. If I favor one certain rapper or one certain singer then only one certain singer/rappers are going to favor Flav. So me, I'm just a friendly ghost and not only that I'm a musician. I like all kinds of music. And everybody making records right now is definitely respected by Flav and for all you new comers just starting to make records: welcome aboard.”