"In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, … that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. … The body and mind have to be free of burdens for grace to touch us."

“Our working hypothesis is that the status of knowledge is altered as societies enter what is known as the postindustrial age and cultures enter the postmodern age.”

“True knowledge, in this perspective, is always indirect knowledge; it is composed of reported statements, that are incorporated into metanarratives of a subject that source their legitimacy.”

“Let us wage war on totality; let us be witnesses to the unpresentable, let us activate the different and save the honor of the name.”

“The body might be considered the hardware of the complex technical device that is human thought.”

“The moment knowledge ceases to be an end in itself—its realization of The Idea or the emancipation of men—it’s transmission is no longer the exclusive responsibility of scholars and students.”

“What is new in all this is that the old polies of attraction represented by nation-states, parties, professions, institutions, and historical traditions are losing their attraction. And it does not look as though they will be replaced, at least not on their former scale.”