"I've seen most of Nathan's work, but it was seeing both 'Lisbon Traviata' and 'Laughter on the 23rd Floor' that I realized just what a superb physical comic he was."

“I had to develop a sense of humor I'm sure it's a defense mechanism. It was, 'Before they make fun of me, I'll make a joke.' Being funny is just a point of view about life in general. Sometimes it's born out of difficult childhoods, where you have to develop a sense of humor. Ultimately, it's a gift.”

“I'll always go back to the stage.”

“Yes, I've been compared to Jackie Gleason often. I've been often compared to Lou Costello. … But after a while you start to go, 'Well, geez. Do I have a personality in there?' The funny thing about Gleason is, he always used to talk about watching Jack Oakie. And if you ever watch Jack Oakie in an old movie, it's very similar to Gleason. … I think we all steal from one another.”

“But in order for anyone to become successful, sometimes you have to be that driven and focused, and maybe there isn't a lot left over for personal relationships -- although I certainly have had them. It's not as if I cut myself off, but it makes them very difficult. This profession is very hard on relationships.”

“There isn't anyone else like Nathan. He is able to express more in a look or a word than most actors I've ever worked with.”

“I guess there's some sort of unspoken show business rule, 'You do the theater, and then you move into television, and then, of course, that is your steppingstone to film stardom.' I've done it every which way. I've done theater for many, many years and then had some success in films. I would do television sporadically. I thought this was a good time to try it.”