"filled with boredom, the winter days were here. A threadbare and patchy, too-short mantle of snow was spread over the reddened earth. It was too meagre for the many roofs, which remained black or rust coloured, shingled roofs like arks and thatched cottages, concealing within them the smoke-blackened expanses of attics—charred-black cathedrals bristling with ribs of rafters, purlins and joists, dark lungs of the winter gales. Each dawn uncovered new vent pipes and chimney stacks, sprung up in the night, blown out by the nocturnal gale—black pipes of the Devil’s organs."

“And then there is all this highly improper manipulation of time, these indecent dealings, sneaking into its mechanism at the back and tampering dangerously with its precarious secrets. Sometimes, one wants to bang on the table and shout at the top of one’s voice, “Enough of this! Keep your hands off time! Time is untouchable! It is not permissible to aggravate time! Space is for man. In space you may go where you please; you may turn somersaults, fall head over heels, leap from star to star... But for the love of God, leave time alone!”

“Only now did the scales fall from my eyes. For how great is the force of credulity, how powerful the suggestion of terror! Such incomprehension! But this was a man! A chained-up man, whom I, by incomprehensible means, in a simplifying, metaphorical, and comprehensive elision, had taken for a dog.”

“Sometimes, a whole bright day passes in explosions of the sun, in accumulations of clouds encircled by redness at their edges, luminously and chromatically, breaking off at every edge. People go about stupefied by the light, their eyes closed, exploding inwardly with rockets, Roman candles and powder-kegs. But later, toward evening, that hurricane fire of light softens. The horizon grows rotund, beautiful, and full of azure, like a glass ball in a garden with its miniature and illuminated panorama of the world, in a happily ordered composition, above which the clouds are arranged, its conclusive toppings, unfolding in a long row like rouleaux of golden medals, or peals of bells combining in rosy litanies.”

“But even further from the light were the cats. Their perfection was alarming. Wrapped up in the precision and meticulousness of their bodies, they knew neither deviation nor error. They sank for a moment, far into themselves, to the bottom of their being; they froze in their soft fur and grew menacingly and ceremoniously serious, and their eyes grew as round as moons, soaking up the view into their fiery craters. But a moment later, cast out to the edge, to the surface, they yawned in their nihility, disappointed and without illusions.”

“Everybody knows that, in the course of mundane and ordinary years, whimsical time will occasionally bring forth from its womb other years, odd years, degenerate years, somewhere in which, like a little sixth finger upon a hand, a spurious thirteenth month sprouts up; spurious, we say; for seldom will it grow to full size. Like late begotten children, it lags behind in its development, a hunchback month, a half-wilted offshoot, and more conjectured than real.”

““Too long,” said my father, “have we lived under the terror of the matchless perfection of the Demiurge. Too long has the perfection of his handiwork paralysed our own creativity. We do not wish to compete with him. We have no ambition to rival him. We wish merely to be creators in our own, lower sphere. We crave creativity for ourselves. We crave the joy of creation. In a word, we crave Demiurgy.”