"In contrast to the asexual chasteness of official communist art, Nazi art is both prurient and idealizing. A utopian aesthetics implies an ideal eroticism: sexuality converted into the magnetism of leaders and the joy of followers. The fascist ideal is to transform sexual energy into a "spiritual" force, for the benefit of the community."
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"Like the deconstructionist Jacques Derrida, whom Steven Weinberg attacked in his 1996 New York Review of Books article on Sokal's hoax, Bohr was notorious for the obscurity of his writing. Yet physici…"
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