"The more immobile Egyptian statues are, the more it seems as if they would move.. ..immobility of the body does not mean immobility of the flesh; in my model for the monument to Cézanne the whole figure is quiet, but there are several movements in the torso."

“The first thing that strikes in Cézanne is not apples, but balance of tones. With elements drawn from nature, what did attempt? To create, to arouse powerful feeling, to awaken in the hearts of men that which is eternal in men.”

“He was very interested, watching me do his bust. He said to me: 'Every time you touch it, it becomes more alive.'”

“A interests me when I can bring architecture out of it.”

“The immobility that the artist creates is not at all that of the photograph. A worth of art contains latent life, possibility of movement; a grimace made eternal does not represent life. One always talks of w:Donatello, but never of della Quercia. Yet della Qercia invented w:Michelangelo’s style before Michelangelo.”

“Those who do Negro-sculpture in this country are wrong. We are in France; in the country of Ronsard, La Fontaine, and Racine. What connection is there between this country and these men, and Negro sculpture? An artist can only create in accordance with the character of his people and his time.”

“The particular does not interest me; I find meaning only in a general idea. In Michelangelo one is carried away by the idea of power, the whole single-minded concept he imposed on himself. The 'Slaves' and the 'Medici tombs' are sculpture made to be seen only from one side. For me, sculpture means the block; my figure of 'France' has more than twenty different sides. When I enlarged it only four were left, and I had to rework it..”