"The Tantrik approach to self-realization is different from the Vedic approach. The former looks upon the Goddess as Shakti, energy, to be experienced while the latter looks upon the Goddess as Maya, delusion, to be transcended. The former is more sensory, the latter less so."

“The Ramayan, one of the most revered texts in Hinduism, tells the story of a prince called Ram. Dashrath, king of Ayodhya, had three wives but no children. So he conducted a yagna and invoked the gods who gave him a magic potion that was divided among his three queens. In time the queens gave birth to four sons. Ram was the eldest, born of the chief queen, Kaushalya, Bharat was the second born to Dasharath’s favourite queen Kaikeyi. Lakshman and Shatrughna were the twin sons of the third queen Sumitra.”

“The Sanskrit word ‘maya’ refers to all things that can be measured. Human understanding of the world is limited, hence measurable, hence maya. To believe this maya is truth is delusion. Beyond maya, beyond human values and human judgements, beyond the current understanding of the world, is a limitless reality which makes room for everyone and everything. That reality is God.”

“The standard trope in modern historical studies seems to be that Hindu temples were destroyed not only by Muslim rulers but also by Hindu rulers as part of establishing their authority. It disregards all Hindu memory and Islamic writing that shows motivation of Muslim rulers at its core was religious, designed to replace the Hindu faith with Islam. This is aligned with Western academic anxiety at being seen as Islamophobic – no points lost if one is Hinduphobic.”

“The twentieth century saw Ram on celluloid with films like Bharat Milap , Ram Rajya andSati Sulochana . Ramanand Sagar's television serial Ramayan, with Arun Govil starring as Ram, made history in the late 1980s.”

“Ram's calm repose in the face of all adversity, so evident in the Ramayan, has made him worthy of veneration, adoration and worship. Ram's story has reached the masses not through erudite Sanskrit texts but through theatre song and dance performed in local languages. All of these retellings of Ramayan have their own turns and twists, their own symbolic outpouring, each one valid in their respective contexts.”

“The Ramayan also happens to be part of the Mahabharata, dated between 300 BCE and 300 CE, where it is called the Ramopakhyan. When the Pandavas bemoaned their thirteen years of forest exile, Rishi Markandeya retorted by telling them how Ram suffered for fourteen years and while the Pandavas deserved their punishment for gambling away their kingdom, Ram did not deserve his fate – he was simply obesing his father.”