"The Ground of Rinebrant of Rine: Take half an ounce of Expoltum burnt of Amber, one ounce of Virgin's was, half an ounce of Mastick, then take the Mastick and Expoltum, and beat them severally very fine in a Mortar; this being done, take a new earthen pot and set upon it a charcoal-fire, then shake into it the Mastick and Expoltum by degrees, stirring the Wax about till they be thoroughly mingled, then pour it forth into fair water and make a ball of it, and use it as before mentioned, but be sure you do not heat the plate too hot when you lay the ground upon it, this is the only way of Rinebrant."

“Because of the great zeal and devotion which I experienced in executing well the two pictures which His Highness commissioned me to make - the one being Christ's dead body being laid in the tomb , and the other Christ arising from the dead to the consternation of the guards — these same two pictures are now finished through studious application, so that I am now disposed to deliver the same and so to afford to His Highness. For in these two paintings the greatest and most natural movement has been expressed , which is also the main reason why they have taken so long to execute.”

“Web Catalogue of Rembrandt's Paintings”

“would not touch the painting, nor finish it unless the claimant pays him the balance due or guarantees it by giving a security.”

“Rembrandt at MuseumSyndicate”

“Choose only one master — Nature.”

“Truth in labeling" by Gary Schwartz in Art in America”