"As the original Mary Poppins budget of five million dollars continued to grow, I never saw a sad face around the entire Studio. And this made me nervous. I knew the picture would have to gross 10 million dollars for us to break even. But still there was no negative head-shaking. No prophets of doom. Even Roy was happy. He didn't even ask me to show the unfinished picture to a banker. The horrible thought struck me — suppose the staff had finally conceded that I knew what I was doing."

“That’s a pretty sexy little girl, Ollie.”

“During the last few years, we've ventured into a lot of different fields. We've had the opportunity to meet and work with a lot of wonderful people. Our only hope is we never lose sight of one thing: that it was all started by a mouse. Now, that is why I want this part of the show to belong to Mickey, because the story of Mickey is truly the real beginning of Disneyland.”

“That's a 30-year-old woman you're bringing me.”

“All you've got to do is own up to your ignorance honestly, and you'll find people who are eager to fill your head with information.”

“Faith I have, in myself, in humanity, in the worthwhileness of the pursuits in entertainment for the masses. But wide awake, not blind faith, moves me. My operations are based on experience, thoughtful observation and warm fellowship with my neighbors at home and around the world.”

“Mickey Mouse is, to me, a symbol of independence. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner. Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.”