"The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work."

“Where did all the liberals go? If the gringos in their villas dream at all, it's of sugar-plum stock options. Never mind social justice, what happened to habeas corpus? Faith-based globocops police the words in our mouths and the behaviors in our bed while sorehead cable blabbercasters rant them on. Blood lust, wet dreams, collateral damage and extraordinary rendition; Halliburton and Abu Ghraib; an erotics of property, a theology of greed and a holy war on the poor, the old, the sick, the odd and the other — when oh when will the Tatzelwurm turn?”

“My fathering had always taken the form of a friendly cloud that floated across the lives of the children, and paused occasionally to cast a shadow. That they would turn out to have their own weather, and that I would profit by the climate, was an immense satisfaction.”

“Do you suppose Latin American writers, trying to mix literary modernism with revolutionary politics, resent our blue-eyed exploitation of their continent as a sort of compost heap of the libidinal and the symbolic? Aren't D. H. Lawrence, Graham Greene, Robert Stone and Paul Theroux imperialists? What do black Africans think of Conrad, Bellow, Updike and Edgar Rice Burroughs? Why don't the white guys look for the heart of darkness in their own bathrooms?”

“It may be that the Greeks had it easy, with their light and their mountains and their plains and their islands waiting around for tourists. It was easy for them to believe that man fit in rather well. This fittingness may have given them the idea that we are seemlier than other evidence suggests. The heads of Rameses II at Abu Simbel and, for that matter, the skyscrapers of New York, have another idea of man. So do the artifacts of Albert Speer. It is depressing to wonder whether the Greeks just happened to be lucky, and the dream they left us is a lie about ourselves.”

“Maybe the unconscious is overrated... What if your unconscious is full of false consciousness or bad faith? What if it's more like a trash compactor than a dreamcatcher? What if it's a diseased hump, a vampire bat, an alien abductor? Somewhere in Pieces and Pontifications, somebody asked him: "Why can't the unconscious be as error-prone as the conscious?" It was a Freudian question he never answered.”

“The life, no matter how traumatic, never explains the work, if the work is any good. W. B. Yeats, Ezra Pound, Doris Lessing, and Saul Bellow variously believed in faeries, funny money, flying saucers, and orgone energy accumulation, but so have millions of other people who never got around to writing even a mediocre poem or novel.”